Before he raises his baton for Verdi's Requiem, Edward Gardner, chief conductor of the Bergen Philharmonic Orchestra, is keen to point out the number of gifted schoolchildren who are performing at the Grieghallen this evening, not just in the vast chorus at the back of the stage, but also playing alongside the professionals in the orchestral seats, no less. 'Not bad for a city with a population smaller than Northampton!' he enthuses. Half of me is impressed that so many of this Norwegian audience seem to know where Northampton is; another part wants to leap to the East Midlands town's defence - with composers such as Malcolm Arnold and Edmund Rubbra among its famous sons, it is no musical desert.
But then, Bergen can see Northampton's Arnold and Rubbra and raise it Edvard Grieg. Norway's most famous composer was born here in 1843, died here in 1907 and spent the majority of his life and career here, including two years as music director of the Bergen Philharmonic in the early 1880s. You'll find cultural references to him everywhere you go, including Gunnar Torvund's sculpture in the university district and two life-size statues by Ingebrigt Vik: one in the central Byparken; another outside Troldhaugen (Troll Hill), Grieg's home for the last 22 years of his life and today a museum dedicated to him. And yes, they are life-size: Grieg stood at just under five foot (1.52m) tall.
Bu hikaye BBC Music Magazine dergisinin Christmas 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye BBC Music Magazine dergisinin Christmas 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Giriş Yap
FESTIVAL GUIDE 2024
It's that time of year again... Spring has finally sprung, and along with the promised sunshine we welcome a brand-new season of glorious summer music.
The mighty Sampson
As soprano Carolyn Sampson turns 50, she tells Ashutosh Khandekar about the development of her voice through a remarkable catalogue of recordings
Music to die for
From wrathful Verdi to ethereal Fauré, there are many different ways to compose a Requiem, as Jeremy Pound discovers
Avian anthems
From Vivaldi to Messiaen, composers have often been inspired by birdsong. But accurately mimicking chirrups and tweets in music is far more difficult than it sounds, finds Tom Stewart
THE BIG 400!
BBC Music Magazine has reached its 400th issue! To celebrate, we look back over eight milestone issues since the very firstin 1992
Northern light
From her first piano lesson, composer Errollyn Wallen has lived and breathed music; and though inspired by a range of styles, her composing is a deeply personal expression, as she tells Kate Wakeling
Felix Mendelssohn Piano Trio No. 1 in D minor
Jo Talbot celebrates the Mozart of the 19th century’ as she searches out the finest recordings of this masterful work for piano, violin and cello
Antonio Salieri
Forget the hate-filled murderer of Mozart, says Alexandra Wilson; the real Salieri was an opera composer of considerable standing
Aix-en-Provence France
Rebecca Franks breathes in the spring air in the popular southern city, where the music making sparkles and the sun always shines
Composing is like breathing. It's just something I do, like a hobby, really...or an addiction
The world's most performed classical composer, a small, black-suited figure with a mop of white hair and mutton-chop whiskers, stands on the huge Brucknerhaus stage, almost invisible among the sea of musicians.