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Welcome To The Post-Slab Era

Man's World

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August 2025

In a World of Flat, the Galaxy Z Fold7 Finally Feels Fully Formed

- Niraj Kakade

Welcome To The Post-Slab Era

Growing up in the early 2000s, witnessing the evolution of mobile technology was the millennial equivalent of watching the space race, just without the threat of nuclear armageddon. Coloured screens? Whoa. A camera on a handheld device? No way. Full touchscreen display? What are we, in The Jetsons?

But then came the slabification. Safe, sleek, and about as thrilling as a PowerPoint template. Phones became predictable. Pocketable. Smooth in shape, smooth in function, occasionally edgy, but mostly, meh. In between, phone companies threw spaghetti at the wall. Slide-outs, swivels, dual screens, phones shaped like powder compacts. Most fizzled out within a year.

That was until 2019, when someone at Samsung asked the question: “What if we take a mini tablet and fold it into a phone?”

FIRST IMPRESSIONS

Now in its seventh generation, the Samsung Galaxy Z Fold has moved beyond gimmick. It is quietly becoming a real everyday device. You can feel the difference the moment you hold it. Last year’s Fold6 was 12.1mm thick when closed. This one is just 8.9mm. The Fold7 looks like it has been on Ozempic, slimmed down, sleeker, but without the dead-eyed, calorie-deficit stare.

Most of the glow-up comes from the outer display. It is now 6.5 inches with a 21:9 aspect ratio, a relief after last year’s awkward, finger-yoga screen. Unfold it, and it doesn’t even feel like a foldable anymore. I wrapped it in a case and showed it to my mom. She thought it was a regular phone. It wasn’t until I took off the case and opened it that the awe kicked in. The same awe tech nerds probably felt the first time they scanned their fingerprint to unlock a phone.

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Exhibition - Art

DAG's recently-concluded exhibition titled Destination India: Foreign Artists in India, 18571947, organised in collaboration with Kolkata's Alipore Museum, offered a rare glimpse into the multifaceted artistic interpretations of India through the eyes of nearly forty British and other European artists working with oil and watercolour who visited the country in the late nineteenth and early twentieth centuries-a period when images were being transmitted as picture postcards and photography had become the dominant medium.

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Moving Beyond The Metros All Roads Now Lead To Tier-II Cities

Although cafes and restaurants are mushrooming in every corner of the metros, as per the latest Grant Thornton Bharat Report, it is the Tier-II and Tier-III cities that are fast emerging as the next growth frontier for restaurants. What is driving this shift? We take a deep dive

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March-April 2026

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The Menswear At Lakme Fashion Week

Proved That You Don't Need To Be Shopping From International Brands

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March-April 2026

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RANA DAGGUBATI THE SECOND INNINGS

With an expanding business portfolio, it might seem that the Baahubali actor, who has got a new lease of life, is re-inventing himself as a serial entrepreneur. But this scion of the Daggubati family always meant business. Today, he is in the pursuit of excellence

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14 mins

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Man Up And Dress Up

We ask sıx industry veterans about what men today get right, wrong, and what they can do better

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Exhibition Art

DAG’s recently-concluded exhibition titled Destination India: Foreign Artists in India, 1857-1947, organised in collaboration with Kolkata’s Alipore Museum, offered a rare glimpse into the multifaceted artistic interpretations of India through the eyes of nearly forty British and other European artists working with oil and watercolour who visited the country in the late nineteenth and early twentieth centuries—a period when images were being transmitted as picture postcards and photography had become the dominant medium.

time to read

1 min

March-April 2026

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Your Mental Health Impacting Your Grooming Ritual?

Can poor mental health have behavioural and physical effects all at once? We ask the experts

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5 mins

March-April 2026

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Rado When Icons Meet Trends

Back in India to unveil a Le Corbusier- inspired ceramic collection, Rado CEO Adrian Bosshard talks repeat buyers, his racing roots, and the brand's design-first philosophy

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5 mins

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The Second Coming

Some nameplates belong in museums. And we're glad that Ferrari believed that the Testarossa still belongs on the road.

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1 min

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Launch Radar

From the Maruti Suzuki e Vitara and Hyundai Verna to the Ferrari Amalfi and Mahindra BE 6 Batman Edition, March swings from meaningful progress to expensive expressions

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5 mins

March-April 2026

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