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Welcome To The Post-Slab Era
Man's World
|August 2025
In a World of Flat, the Galaxy Z Fold7 Finally Feels Fully Formed
Growing up in the early 2000s, witnessing the evolution of mobile technology was the millennial equivalent of watching the space race, just without the threat of nuclear armageddon. Coloured screens? Whoa. A camera on a handheld device? No way. Full touchscreen display? What are we, in The Jetsons?
But then came the slabification. Safe, sleek, and about as thrilling as a PowerPoint template. Phones became predictable. Pocketable. Smooth in shape, smooth in function, occasionally edgy, but mostly, meh. In between, phone companies threw spaghetti at the wall. Slide-outs, swivels, dual screens, phones shaped like powder compacts. Most fizzled out within a year.
That was until 2019, when someone at Samsung asked the question: “What if we take a mini tablet and fold it into a phone?”
FIRST IMPRESSIONS
Now in its seventh generation, the Samsung Galaxy Z Fold has moved beyond gimmick. It is quietly becoming a real everyday device. You can feel the difference the moment you hold it. Last year’s Fold6 was 12.1mm thick when closed. This one is just 8.9mm. The Fold7 looks like it has been on Ozempic, slimmed down, sleeker, but without the dead-eyed, calorie-deficit stare.
Most of the glow-up comes from the outer display. It is now 6.5 inches with a 21:9 aspect ratio, a relief after last year’s awkward, finger-yoga screen. Unfold it, and it doesn’t even feel like a foldable anymore. I wrapped it in a case and showed it to my mom. She thought it was a regular phone. It wasn’t until I took off the case and opened it that the awe kicked in. The same awe tech nerds probably felt the first time they scanned their fingerprint to unlock a phone.
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Man's World
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Exhibition Art
DAG’s recently-concluded exhibition titled Destination India: Foreign Artists in India, 1857-1947, organised in collaboration with Kolkata’s Alipore Museum, offered a rare glimpse into the multifaceted artistic interpretations of India through the eyes of nearly forty British and other European artists working with oil and watercolour who visited the country in the late nineteenth and early twentieth centuries—a period when images were being transmitted as picture postcards and photography had become the dominant medium.
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Can poor mental health have behavioural and physical effects all at once? We ask the experts
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Rado When Icons Meet Trends
Back in India to unveil a Le Corbusier- inspired ceramic collection, Rado CEO Adrian Bosshard talks repeat buyers, his racing roots, and the brand's design-first philosophy
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The Second Coming
Some nameplates belong in museums. And we're glad that Ferrari believed that the Testarossa still belongs on the road.
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Launch Radar
From the Maruti Suzuki e Vitara and Hyundai Verna to the Ferrari Amalfi and Mahindra BE 6 Batman Edition, March swings from meaningful progress to expensive expressions
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