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THE GREATEST SHOWMAN

Vanity Fair US

|

October 2025

JEREMY O. HARRIS is a playwright, producer, performer, provocateur, dandy, bon vivant, and depending who you ask, a genius. As his latest wave of projects gains momentum, CHRIS MURPHY asks, can Harris keep all the plates spinning?

THE GREATEST SHOWMAN

JEREMY O. HARRIS seems to be everywhere, but he's not at our agreed upon location at the agreed upon time. We're supposed to meet at Dimes Deli in Manhattan at 4:30 p.m.; when he gets there around 5:15, he's apologetic but easy and breezy in a white Bode button-up and jeans. Harris is undeniably striking: six feet five, long-limbed and lean, with a mane of black hair and an almost tangible magnetism.

"I haven't eaten all day. I've been running around since 8 a.m.," Harris declares. Soon enough, we're sharing togarashi potato wedges and splitting a bottle of orange wine. It's one of Harris's last meals before he heads up to the Williamstown Theatre Festival, a storied event that started in 1954, where he'll serve as this year's creative director. Meanwhile, reviews for his latest producing venture have just come in, and they are overwhelmingly positive—Prince Faggot is a New York Times critic's pick. The off-Broadway play by Jordan Tannahill imagines a grownup Prince George as a kink-loving gay royal and is such a hit that it's transferring to a bigger off-Broadway theater, Studio Seaview, this fall, with eyes on a spring 2026 transfer to Broadway. Some creatives won't admit to reading reviews; Harris is not among them. He is going through each one, he tells me, "and picking out my pull quotes."

If Prince Faggot makes it to Broadway, Harris won't be a stranger. His first production, Slave Play, premiered off-Broadway at New York Theatre Workshop in 2018 before transferring to the Golden Theatre on October 6, 2019. It went on to nab a record 12 Tony nominations, becoming a controversial phenomenon that launched Harris to fame before he even graduated from the Yale School of Drama.

"There's nothing more insane than having other people tell you you're famous when you literally are still counting how much money is in your bank account before you go to dinner," Harris says now.

Vanity Fair US'den DAHA FAZLA HİKAYE

Vanity Fair US

Vanity Fair US

BROKEN ARTED

Barbara Guggenheim and Abigail Asher were, until recently, grandes dames of the art market, outfitting the most powerful people in the world with killer portfolios. Then, in a flurry of mutual allegations ranging from sexual favors to fraud, the two women parted ways. As their battle heads to court

time to read

19 mins

November 2025

Vanity Fair US

Vanity Fair US

THE LAST STAND

Richard Prince has shocked the cultural establishment again and again with norm-breaking—some say lawbreaking—conceptual artworks. But since the pandemic, he's been holed up in his Hamptons home, rarely making appearances. In an unprecedented interview late in his career, he spills to NATE FREEMAN about the surprising new series he calls Folk Songs and his six-hour film, Deposition. And for the first time, he discusses what will happen to his estate after he's gone

time to read

29 mins

November 2025

Vanity Fair US

Vanity Fair US

Captain America?

NYC's mayoral candidate has Kennedy-like charisma, a global profile, and nepo baby instincts.

time to read

36 mins

November 2025

Vanity Fair US

Vanity Fair US

Brat's Next Act

Just married. Pivoting to film in magnificent fashion. After a seemingly endless summer of brat, Charli xcx talks to ANNA PEELE about her new season of stardom

time to read

20 mins

November 2025

Vanity Fair US

Vanity Fair US

LARRY GAGOSIAN

The world's grandest art dealer and new owner of Book Hampton, the celebrated tome slinger to East End Brahmins — on summering in Capri, wading in warm St. Barts waters, his custom-made pool cue, and sitting for David Hockney

time to read

1 mins

November 2025

Vanity Fair US

Vanity Fair US

He Got His MTV

TOM FRESTON helped birth MTV and reinvent television. In an excerpt from his new memoir, Unplugged: Adventures from MTV to Timbuktu, he recalls the campaign that saved the network

time to read

5 mins

November 2025

Vanity Fair US

Vanity Fair US

THE ARTIST IS PRESENT

As ICE continues mass detainments and deportations, artist Isabelle Brourman has spent months inside the New York City federal immigration court. She spoke with KEZIAH WEIR about the scenes of brutality and emotional strength she's documented, in rooms where cameras aren't allowed

time to read

6 mins

November 2025

Vanity Fair US

Vanity Fair US

From Bust to Bust

Andrew Ross Sorkin tells NATALIE KORACH his new book on 1929 works as a parable for today—down to the characters

time to read

5 mins

November 2025

Vanity Fair US

Vanity Fair US

Realm of the Coin

In a financial system upended by cryptocurrencies and meme stocks, where value is detached from utility and the loudest voice gets richest, ZOË BERNARD tours a brave new world in Bel Air that is part Bravolebrity, part Wolf of Wall Street, and all casino

time to read

13 mins

November 2025

Vanity Fair US

Vanity Fair US

MUSE AND MAKER

The painter Kate Capshaw, known for her intimate likenesses, could hardly say no when the National Portrait Gallery commissioned one of Steven Spielberg, her husband of more than 30 years

time to read

2 mins

November 2025

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