![D16 Lush 2](https://cdn.magzter.com/1387538174/1691483971/articles/SAVAWrroe1691585028226/D16-LUSH-2.jpg)
£145 PC MAC
The original D16 LuSH-101 was released in 2012, then the 30th anniversary of the synth it was emulating, the original Roland SH-101. That instrument has gone down in history as not the most powerful of Roland synths, but a big-sounding mono, with a cute approach – you could strap it on and play it like a synth guitar – and now fetches up to a grand secondhand (although even that is still fairly cheap for an original early ’80s Roland). The 2012 D16 was a hotly anticipated release, then, but actually turned out to be eight SH-101s stacked on top of one another – so it could act like a multitimbral synth – each with double the number of envelopes and LFOs, effects and a total voice count of 32. Mm, SH-101? SH-10001 more like…
You could argue then…
…that the original D16 LuSH-101 was way more than a simple SH-101 rehash, and we did. We also said that it took other cues, like its modulation matrix, from classic Roland fare like the JP-8000 and JD-800. But we also loved it: “It combines the design philosophy of the SH-101 with the power of modern synths, sounds beautiful, and proves that great ideas don’t go out of fashion. A classic taken to dazzling new heights.”
Bu hikaye Computer Music dergisinin October 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Computer Music dergisinin October 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Giriş Yap
![BLEASS Arpeggiator](https://reseuro.magzter.com/100x125/articles/5273/1638691/LWS3DwfoB1710944717282/BLEASS-ARPEGGIATOR.jpg)
BLEASS Arpeggiator
Classic synth-based arpeggiators' up-down patterns can be tedious, says Stuart Adams. Can Arpeggiator bring the variability he craves?
![Synthogy Ivory 3 German D](https://reseuro.magzter.com/100x125/articles/5273/1638691/sCsouMCP71710944445154/SYNTHOGY-IVORY-3-GERMAN-D.jpg)
Synthogy Ivory 3 German D
One of the most highly regarded piano libraries around gets an update. Does it strike a chord with our reviewer, Herr Roland Schmidt?
![MODALICS BITFUZZER](https://reseuro.magzter.com/100x125/articles/5273/1638691/BZ1UfPLPu1710944198829/MODALICS-BITFUZZER.jpg)
MODALICS BITFUZZER
Distortion can be a great effect for enlivening and mashing up sounds, and this month we've got you a plugin that can do both
![RADICAL RHYTHMS](https://reseuro.magzter.com/100x125/articles/5273/1638691/679ys94Ue1710943663566/RADICAL-RHYTHMS.jpg)
RADICAL RHYTHMS
From pepping up basic grooves to creating full-on 4/4-flouting madness, learn a multitude of timing tricks with our classic guide
![SEDIBUS](https://reseuro.magzter.com/100x125/articles/5273/1638691/7g8Cq8_it1710943190773/SEDIBUS.jpg)
SEDIBUS
Detaching from The Orb mothership, Sedibus is the latest project of core figurehead Alex Paterson, accompanied by former Orb-member and key creative collaborator Andy Falconer. With a studio shorthand and a shared passion for flourishing ambient textures, the pair's second record SETI gazes skyward for its inspiration. We spoke to Andy to learn more...
![Sidechain compression](https://reseuro.magzter.com/100x125/articles/5273/1638691/HFYLatzLK1710942648472/SIDECHAIN-COMPRESSION.jpg)
Sidechain compression
Sidechain compression is an excellent mixing tool and in this tutorial we pick apart this essential process
![How to make a rave-style techno track](https://reseuro.magzter.com/100x125/articles/5273/1638691/I3s4KIUMj1710941173301/HOW-TO-MAKE-A-RAVESTYLE-TECHNO-TRACK.jpg)
How to make a rave-style techno track
Prepare to get fists in the air as we learn the tools, tricks and tempos for nailing the basics of rave-ready techno
![Make a filter kick bass with BazilleCM](https://reseuro.magzter.com/100x125/articles/5273/1638691/N2Wn-3PZf1710940597337/MAKE-A-FILTER-KICK-BASS-WITH-BAZILLECM.jpg)
Make a filter kick bass with BazilleCM
Following our deep-dive into the oscillator section of BazilleCM, we follow the signal flow to create a filter-thumping bass sound
![MARIA W HORN](https://reseuro.magzter.com/100x125/articles/5273/1638691/q4ryiSCjg1710939939526/MARIA-W-HORN.jpg)
MARIA W HORN
An avid explorer of sound's spectral properties, Maria W Horn's work realises the potential of long-forgotten spaces. Via instrumental textures, room responses, the human voice and a specialised computer language, she synthesises entirely new sonics. We heard more about her processes and the at-times chilling story behind her affecting new album, Panoptikon
![THE ULTIMATE GUIDE TO CREATIVE REVERB](https://reseuro.magzter.com/100x125/articles/5273/1638691/f3hKb4hzh1710938886598/THE-ULTIMATE-GUIDE-TO-CREATIVE-REVERB.jpg)
THE ULTIMATE GUIDE TO CREATIVE REVERB
Reverb has been relied on for its evocative sonic character ever since the first homo sapien warbled expletives into a dark cave. The transformative power of space is still a vital mix ingredient