light touch

To craft the perfect getaway for her family, designer Victoria Hagan breathes new life into a dark, old Palm Beach manse

- JENNIFER ASH RUDICK

Its hardly news when a historic Palm Beach estate undergoes an extensive restoration, unless of course, one of the design world’s leading dignitaries is reimagining the residence as a retreat for her own family. AD100 designer Victoria Hagan and her husband, businessman Michael Berman, were looking for an airy beach house when Hagan fell for a 1920s Tudor whose hectic layout lacked finesse. “It was dark and needed work, but I loved how it sat on the property; it stretched from East to West and had a beautiful pitched roofline,” says Hagan. While Berman didn’t see the appeal, he trusted that Hagan’s unshakable aesthetic of perfectly scaled, tranquil interiors would turn what appeared to be an insurmountable task into an opportunity.

Obsessive research into the house’s history served as a spiritual prelude to Hagan’s design process. “The investigation period gave me more time to fall in love with the project, which is important because my heart is connected to my imagination,” she says. Built in the mid-1920s, the house was not attributed to an architect but was designed in the English style. Its steep pitched roof recalled the work of New York architect Roger Bullard (1884–1935) who designed East Hampton’s Maidstone Club, several private estates on Long Island, and other high-profile commissions. Soon thereafter the house was severely damaged by the 1928 hurricane and renovated months later. Eventually the roof was changed to red tile in an effort to make it better relate to the island’s Mediterranean homes, and in the 1960s, half-timber framing was added, creating an architectural mixed message that Hagan was eager to clarify.