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Accuphase DG-68

Stereophile

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August 2021

DIGITAL VOICING EQUALIZER

- JASON VICTOR SERINUS

Accuphase DG-68

A great concept—sound enough to serve as the foundation for an independent democratic nation. Yet what’s sound in one sphere doesn’t necessarily apply to sound in another, namely the rooms in which our systems reside. As much as we audiophiles may wish to declare our independence from room resonances, image smearing from first-order reflections, slap echo, and every other environmental and speaker-related factor that can handicap system performance, no mere declaration will make it so. Not all rooms—and not all components—are created equal.

To reference American mythology, Dorothy may have closed her eyes and clicked her ruby-red heels together three times as she declared, “There’s no place like home,” but she knew exactly what home felt like. Audiophiles who have only heard our components in compromised sonic environments have only a general idea of what their systems can sound like under optimal conditions. There is no there when you don’t know what “there” is in the first place.

Finding the way home

Stereophile'den DAHA FAZLA HİKAYE

Stereophile

Stereophile

ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

time to read

10 mins

February 2026

Stereophile

Stereophile

Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

time to read

3 mins

February 2026

Stereophile

Stereophile

Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

time to read

4 mins

February 2026

Stereophile

Stereophile

EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

time to read

16 mins

February 2026

Stereophile

RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

time to read

3 mins

February 2026

Stereophile

Stereophile

Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

time to read

14 mins

February 2026

Stereophile

Stereophile

Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

4 mins

February 2026

Stereophile

Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

time to read

12 mins

February 2026

Stereophile

Stereophile

CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

time to read

16 mins

February 2026

Stereophile

Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

time to read

3 mins

February 2026

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