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The Ground Beneath Their Feet
The Caravan
|March 2019
A photographer witnesses the transformation of a river island.
A cliff towering over muddy waters, bearing a large crack, is photographed multiple times and the images are arranged in a composite grid. The water appears to be placid in the first few frames. At first glance, this sequence in Zishaan A Latif’s work seemed unnecessarily repetitive. As my eye moved from left to right, across the near-identical images in the first row, I found myself questioning the photographer’s intention. As I made my way forward in the sequence, this time from right to left, the images gradually began to reveal the incident that had been captured—the edge of the precipice started to bend, the crack began to widen and the water started to froth. The cliff was collapsing. Moving down the grid, the disfiguration became more and more evident, reaching a crescendo midway, as a large chunk of land fell into the water. By the time I reached the last frame, having moved in alternating directions in every row, the change was evident: a significant portion of the cliff had disappeared. The river carried signs of the disintegration, and I realised that Latif, and now I, had been witness to the landmass coming apart.

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