SOCIAL STRUCTURE

Caste and the delusion of “merit” in Indian higher education

- NAMIT ARORA

THE GREAT ENGINEERS OF MEDIEVAL INDIA were mainly Shudras. Members of the lowest varna in the caste hierarchy, the Shudras produced a steady supply of architects, builders, stonemasons, bronze sculptors, goldsmiths and other professionals. Sometimes called the Vishwakarma community, these artisans and craftsmen worked in hereditary guilds. They studied structural design, mathematics, material science and the artistic conventions of the day. Commissioned by kings, merchants and Brahmins—who disdained all manual labour themselves—the Shudras, aided by the labour of those considered “untouchable” and outside the varna hierarchy, built all of India’s engineering marvels, including its grand temple towns, magnificent cities such as Vijayanagar and medieval fort-palaces.

Take for instance the town of Khajuraho a thousand years ago, where Shudra artisans, in large workshops, conceived and carved their artwork and taught apprentices amid the sounds of hammers and chisels. Inscriptions show that with rising proficiency, artisans gained new titles. A skilled artisan was called Silpin, who sometimes inscribed his name on his creations, including on panels of erotic art with playful moods and delicate emotions. With higher skill, he became a Vijananin. A few became adept enough to be called Vaidagdhi Visvakarman, masters who went beyond mere technicalities of craft to conceiving large architectural projects and the finer aesthetics of art, winning much respect, social status and economic rewards. The Shudra domination of the engineering profession in India continued well into the colonial era.