GT: Do you have a type of pick that you can’t live without?
TR: I do! I exclusively use Dunlop Sharp 1.35mm picks, the dark grey ones. I’ve been using those picks for years now. I love the length of the drop on them, that point really helps my accuracy and I find them super comfortable with zero slippiness. I really find it hard to use regular shaped picks now, you get used to that sharp point, even though it’s only a couple of millimetres longer than a standard pick. I’ve got a heavy right hand so using the 1.35mm gives the pick an extra bit of longevity.
GT: If you had to give up all your pedals but three, what would they be?
TR: I’ve got quite a collection. They’ve all got their own personality and function so it’s hard to whittle it down two just three. My Hermida Distortion would be one, it’s such a versatile pedal and it’s been on pretty much every one of my albums. It’s got the Dumble thing going on, but it has a tonne more gain, and has sweet spots everywhere. Another pedal I’d keep would be my old Mutron Phasor II. To me it’s hands down the best sounding phaser ever made. It’s a bit on the large side, but it’s worth the real estate. I think it must be something to do with the photocells used from that era that gives it that extra sparkle. The last pedal would be my Ibanez DDL10 Delay II. It has its own personality and is such a great sounding delay. It’s been on my board for years.
GT: Do you play another instrument well enough to be in a band.
Bu hikaye Guitar Techniques dergisinin October 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitar Techniques dergisinin October 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Giriş Yap
DOUBLE-STOPS
Playing two notes together is a useful addition to any guitarist’s arsenal. Simon Barnard shows how this can be used in a variety of styles.
BOB DYLAN
This month Stuart Ryan shows how the fleet fingerpicking acoustic style of the protest song legend enriched song accompanient forever.
BRIAN SETZER
For this issue Andy G Jones is looking to unravel the style of rockabilly’s most ardent torchbearer, the stupendous Stray Cat himself.
ALLAN HOLDSWORTH
Experiencing Metal Fatigue? Sinking in quick Sand? Then join Charlie Griffiths as he unlocks the secrets of the master of Wardenclyffe Tower.
RADIQHEAD
Martin Cooper checks out the sound of an era-defining band from Oxford, and guitarists Thom Yorke, Jonny Greenwood, and Ed O’Brien.
MUDDY WATERS
The father of Chicago blues is in the spotlight this month. Join David Gerrish as he examines the man who electrified and defined the genre.
JOSÉ FERRER El Amable (Andante Sostenuto)
This month Declan Zapala explores a hidden gem from 19th-century Spain's heritage of composer-educators of the classical guitar, whose influence is still felt today.
THE CROSSROADS Eric Johnson
This month John Wheatcroft looks at the iconic guitarist from Texas, atrue crossroads’ artist with a 4 phenomenal command of touch, tone and technique.
ULF WAKENIUS Seven Jazz Licks
John Wheatcroft brings you an exclusive lesson from the Swedish ex-Oscar Peterson virtuoso, showcasing his phenomenal technique and incredible jazz lines.
Country-Blues-Rock!
This month Andy Saphir shows how mixing Major and Minor Pentatonic scales, adding extra notes and country guitar articulations, can build you a whole new lickbag.