The Smiths really kicked in with me in 1984 with Hatful Of Hollow, which is still a lot of people’s favourite Smiths album. They hadn’t become a massive band at that point, hadn’t had millions of hits, so they put this sort of strange compilation out full of sessions and one-off singles, and it’s brilliant.
This Charming Man is what really switched me on to them. It was so offensive, but so erudite and articulate – I absolutely loved it as soon as I heard the intro. Morrissey was choosing different notes, words and phrases to everybody else. Mike Joyce’s drums were sensitive and beautiful, and I hadn’t heard bass playing like Andy Rourke’s since [The Jam’s] Bruce Foxton. And Johnny Marr was right in the centre of it. They were a so-called ‘indie band’, but if you listen to them The Smiths were – in the best possible way – a muso band. Everybody in that band was at the top of their game.
Bu hikaye Total Guitar dergisinin April 2022 sayısından alınmıştır.
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Bu hikaye Total Guitar dergisinin April 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Giriş Yap
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