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Making Benjamins on Hamilton

The Hollywood Reporter

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DOUBLE ISSUE APRIL 15-22, 2016

Who’s cashing in on Broadway’s hottest ticket in years? It’s not just creator Lin-Manuel Miranda as THR analyzes the revenue from sold-out shows, music and even books.

- Rebecca Sun

Making Benjamins on Hamilton

THE FINE PRINT ON THE investors’ agreement for The Public Theater’s spring 2015 musical warned that backers likely wouldn’t see a return on their money unless the show enjoyed a successful Broadway run — the chances of which were “impossible to project or predict.”

That disclaimer seems hilarious in hindsight. The show, Hamilton, is the hottest ticket in New York in years. Through April 3, the hip-hop musical about the “$10 founding father” has grossed $61.7 million at the box office since its Broadway previews began in July. Shows are sold out, with premium tickets selling for $549 each (and scalpers asking double and triple that price).

So who’s raking in all those 10 dollar bills? Hamilton grosses about $1.5 million weekly in ticket sales while it costs about 40 percent of that to pay salaries, rent the Richard Rodgers Theatre and cover other expenses. What’s left: $900,000 before royalties are paid, according to the show’s early financial statements obtained by THR. “Any producer on earth would be thrilled,” says Franklin Weinrib theater lawyer Elliot Brown, who has represented the producers of Billy Elliot

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The Hollywood Reporter

The Hollywood Reporter

Michael Ovitz, Me And The Truce That Never Was

As a new book puts the focus back on CAA’s origins, Kim Masters recalls how the agent’s fit at The Palm and her follow-up kicked off one of Hollywood’s prickliest pas de deux.

time to read

12 mins

September 2-9, 2016 Double Issue

The Hollywood Reporter

The Hollywood Reporter

Songs Of Innocence And Experience

How 5 writers found the music to convey their films’ tragedy, injustice, patriotism and loveA Wonderful Example of ‘What the World Loves About America’

time to read

3 mins

Awards Playbook Special 2 - Nov. 2016

The Hollywood Reporter

The Hollywood Reporter

Execs Can Boycott The Press Tour — But Not The Pressing Questions

With top programmers passing on January’s TV Critics Association panels, THR poses (and answers) the five toughest quandaries of the unfolding season

time to read

4 mins

December 16, 2016

The Hollywood Reporter

The Hollywood Reporter

Making Of Kubo And The Two Strings

Old-fashioned stop-motion meets new-fashioned 3D printing in this directorial debut by the head of Portland, Ore.-based Laika studios — and THR was on the set.

time to read

5 mins

Awards Playbook Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

A World Of Pioneering Talents

Along with best picture contender Elle these 13 films may have the momentum to make the Oscar shortlist (still to be announced as this issue went to press)

time to read

6 mins

Essential Awards Playbook, Dec. 2016

The Hollywood Reporter

The Hollywood Reporter

Iain Canning & Emile Sherman

The Brit-Aussie team behind Lion talk winning an Oscar for The King’s Speech, working with Harvey Weinstein and the upcoming biblical epic Mary Magdalene

time to read

6 mins

December 9, 2016

The Hollywood Reporter

Producer Of The Year Charles Roven

He reveals what really happened between George Clooney and David O. Russell, witnessed Richard Pryor behave (very) badly in church and fired an actor for repeatedly shouting ‘cut’ on a set. All in a day’s work for a Hollywood slugger with $2B in 2016 box office.

time to read

10 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

The Hollywood Reporter

No Happy Endings Required

The death of satire, when to kill a scene and how to write a Trump movie (‘Let’s hope it’s not a tragedy’).

time to read

17 mins

December 23, 2016 - January 06, 2017

The Hollywood Reporter

Matt Tolmach

The Sony exec turned Rough Night producer on Hollywood’s dilemma: ‘Audiences want what feels familiar, but they don’t want it to be familiar’

time to read

5 mins

May 31, 2017

The Hollywood Reporter

In Defense Of Good O1' Network TV

With his NBC breakout now broadcast’s best shot at cracking the Emmy drama category long dominated by cable and streamers, the This Is Us creator celebrates entertainment’s last wide net

time to read

3 mins

May 31, 2017

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