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As We See It
Stereophile
|July 2017
THIS ISSUE: Are audiophiles ignoring the most affordable means of achieving true high-end sound?
Are You Experienced?
There are no ifs, ands, or buts about it: Headphones sound different from speakers. For different reasons, I like both, but all speakers come with one undeniable disadvantage: the room you play them in. I don’t care if you’re running pint-size Falcon Acoustics LS3/5a’s or giant Wilson Audio Alexandria XLFs—they’re at the mercy of your room’s acoustics. Losses are inevitable.Sure, some rooms are better than others, but their size, shape, and furnishings alter your speakers’ sound in ways their designers can never fully anticipate, leaving it up to you to dial in the best sound you can. With headphones, those variables and uncertainties are much smaller—just pop on the ’phones and you’re good to go. With them you’ll hear more—a lot more—of what’s really going on in your music.
One other thing: most over-ear headphones are full range, single-driver designs that don’t suffer from the losses associated with speakers’ crossover networks. Take, for example, Sony’s MDR-Z1R over-ear ’phones ($2299.99), whose frequency range is 4Hz–120kHz. Do you know of any single-driver loudspeaker that can do that? You may, of course, still prefer the sound of speakers, but the best headphones are more truthful messengers than the best speakers. There are fewer ways for the sound to go wrong.
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Stereophile
ICONS AND INNOVATORS AT DEFINITIVE AUDIO
Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.
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Touched-up Beatles and Ringo in color
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Traveling through time and space
In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”
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EgglestonWorks Andra 5
Big loudspeakers are where diligent hi-fi reviewers really earn their pay.
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RECORD REVIEWS
Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?
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Doshi Audio Evolution Stereo
Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.
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Sticking with it
David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.
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Period-style listening
Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.
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TWO-CHASSIS LINE PREAMPLIFIER
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Rock don't give a shit, you know
Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.
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