THE SPIRIT OF NEIL PEART

Rush’s virtuoso drum hero lived by his own rules, to the very end. For the first time since Peart’s passing, his bandmates and widow discuss his legacy and his final years

- Brian Hiatt

Neil peart made it only 10 months into his hardwon retirement before he started to feel like something was wrong. Words were, for once, the problem. Peart, one-third of the Toronto band Rush, was one of the world’s most worshipped drummers, unleashing his unearthly skills upon rotating drum kits that grew to encompass what seemed like every percussive possibility within human invention. Before band rehearsals for Rush tours, he’d practice on his own for weeks to ensure he could replicate his parts. His forearms bulged with muscle; his huge hands were calloused. But he was also the self-educated intellect behind Rush’s singularly cerebral and philosophical lyrics, and the author of numerous books, specializing in memoir intertwined with motorcycle travelogues, all of it rendered in luminous detail.

Peart took constant notes, kept journals, sent emails that were more like Victorian-era correspondence, wrote pieces for drum magazines, and posted essays and book reviews on his website. Despite ending his formal education at age 17, he never stopped working toward a lifelong goal of reading “every great book ever written.” He tended to use friends’ birthdays as an excuse to send “a whole fucking story about his own life,” as Rush singer-bassist Geddy Lee puts it, with a laugh.

“I do a lot of my thinking that way,” Peart told me in 2015. “There is a quote from E.M. Forster. He used to say, ‘How do I know what I think until I see what I say?’ For me, that’s when I write.”