Why do so many 20-somethings want to stream a 20-year-old sitcom about a bunch of 20-somethings sitting around in a coffee shop?
When the tv critic Andy Greenwald, who is 38, returned to his high school near Philadelphia last May to speak to students about his job, he wondered how it would go. After all, today’s students are a digital generation who have only a vague association with the concept of “TV.” Sure enough, when Greenwald mentioned his job to them, one student in the group asked, “So what does that mean? Do you, like, watch Netflix?” Greenwald said, sure, he watches Netflix, since watching original streaming programming—on Netflix, Amazon, Hulu, wherever—is all part of covering the complex new television landscape. Then he asked the teenagers if they watch Netflix. They said, enthusiastically, Yes. So he asked them what they like to watch on Netflix. They said, enthusiastically, Friends.
You remember Friends, right? Chandler, Monica, Joey, Phoebe, Rachel, Ross, and, fleetingly, that monkey? Central Perk? “We were on a break”? The show that feels, in its way, as iconic a relic of the 1990s as do Nirvana, Pulp Fiction, and a two-term Clinton presidency that the Onion later cheekily described as “our long national nightmare of peace and prosperity”?
Friends was not only born of that era but may, in hindsight, embody it more completely than any other TV show. Sexier than Cheers, less acerbic than Seinfeld, Friends existed at the sweet spot of populist mass entertainment and prescient pop escapism. If you were alive and sentient in the 1990s, you already understand this. In fact, if you were in, or near, your 20s back then and ever found yourself seated in a quirkily named coffee shop (e.g., Bean & Gone, Brewed Awakening, CU Latte) with a bunch of your own friends, you might have had the conversation: So, which Friend are you?
Bu hikaye New York magazine dergisinin March 21-April 3, 2016 sayısından alınmıştır.
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Bu hikaye New York magazine dergisinin March 21-April 3, 2016 sayısından alınmıştır.
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