After all, there isn’t one way to be a writer, and “new” and “emerging” are not synonymous with “young.” In this, our fifth annual 5 Over 50, we meet five authors—ranging in age, from early fifties to early seventies, and published by presses large and small, from Cleveland’s independent Belt Publishing to New York City’s Big Five imprints—who followed their passion, dedicated themselves to their craft, and pursued with dogged perseverance a dream undiminished by career building, child rearing, and the joys, sorrows, responsibilities, and challenges of lives well lived. As one of this year’s debut authors, A. H. Kim, whose dream to publish a book revealed itself relatively recently—only eight years ago—puts it: “To those of you who have a dream I say, ‘Go for it.’”
Elizabeth Wetmore
Age: 52. Residence: Chicago. Book: Valentine (Harper, March 2020), a novel that explores the lingering effects of a brutal crime on the women of a West Texas oil town in the 1970s. Agent: Samantha Shea of Georges Borchardt, Inc. Editor: Emily Griffin.
DO SOMETHING beautiful. These words, which appear in the final frame of George Saunders’s 2015 short film, “On Story,” have graced the wall behind my desk for years. When I wrote Valentine, I set out to tell my characters’ stories, to bear witness to their lives and their quiet, flawed, often accidental acts of courage. But mostly I wanted to do something beautiful.
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Bu hikaye Poets & Writers Magazine dergisinin November - December 2020 sayısından alınmıştır.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
THE MEUSEUM OF HUMAN HISTORY
READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
The Sea Elephants
SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK White’s debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
HOW TO READ YOUR BOOK CONTRACT
First
GINA CHUNG'S SEA CHANGE
Blooming how she must
WITH ROOTS IN NATURE WRITING, ENVIRONMENTAL JUSTICE, POETRY, AND PHOTOGRAPHY, CAMILLE T. DUNGY'S NEW BOOK, SOIL: THE STORY OF A BLACK MOTHER'S GARDEN, DELVES INTO THE PERSONAL AND POLITICAL ACT OF CULTIVATING AND DIVERSIFYING A GARDEN OF HERBS, VEGETABLES, FLOWERS, AND OTHER PLANTS IN THE PREDOMINANTLY WHITE COMMUNITY OF FORT COLLINS, COLORADO.
