Elise Ansel was born in New York City in 1961. She studied a BA at Rhode Island’s Brown University, where she later returned as a visiting artist and lecturer. An MFA in Visual Art followed at Southern Methodist University in Texas.
Her paintings are an attempt to translate Old Masters into contemporary artistic language, and she has been exhibiting them in the UK and US for more than 35 years. Elise currently lives in Portland, Maine, and is represented by Cadogan Contemporary in London and Miles McEnery Gallery in New York. www.eliseansel.com
TALKING WITH ARTISTS
Flowers in a Glass Vase I springs from Rachel Ruysch’s 1704 painting Flowers in a Glass Vase, which is in the Detroit Institute of Arts Museum (DIA) collection. In 2019, gallerist David Klein saw my work and asked if I would create an exhibition in “conversation” with masterpieces at the DIA. I was inspired by many of the paintings in the collection, but the encounter with two works by female Old Masters (or “Old Mistresses” as they were famously called by Griselda Pollock and Rozsika Parker), Ruysch’s Flowers in a Glass Vase and Artemisia Gentileschi’s Judith and her Maidservant, proved transformative. I was energised by the opportunity to align myself with female artists from another time, another place; to draw strength and inspiration from their accomplishments, and to extend what they had begun.
Bu hikaye Artists & Illustrators dergisinin March 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Artists & Illustrators dergisinin March 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Giriş Yap
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
