The Score Magazine - January 2018
The Score Magazine - January 2018
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Cover Story: Symphony Orchestra of India
In-Indie: Electro Feminist artist Madame Gandhi
Interviews: Kamakshi Khanna from the Kamakshi Khanna Collective, Arko Pravo Mukherjee, Zublee Baruah, Siddhant Sharma- The Stage winner
International artist interview: Wiz Khalifa
Articles: Machines Vs Musicians, Jal-Tarang, Indie Reviews, Making music in thin air, Digital Era Techniques
Music Technology: Mixing In the Box and Out of the Box, Getting smart with Audio, Drum replacement tips, Creative sidechaining techniques & Mastering
Also: An article on the revenue growth of the Music Industry
Excelsior!
NCPA Chairman Khushroo Suntook converses brimming with fervor and joy as the blooming SOI prepares for its spring concert in February
10 mins
A 175-Year Old Musical Sanctuary!
India’s oldest operational music store, Musee Musical in Chennai turns 175 years!
5 mins
Zublee Baruah
Zublee Baruah
4 mins
Kamakshi Khanna
Kamakshi Khanna
4 mins
The Jal-Tarang One Of The Most Rarely Heard Instruments!
The Jal-Tarang One Of The Most Rarely Heard Instruments!
3 mins
Machines Vs Musicians
Machines Vs Musicians
3 mins
The Stage Winner
We had a conversation with Siddhant Sharma, the winner of The Stage 3 who took us through his journey in this season, practise routine, and more.
6 mins
How To Create Music Out Of Thin Air, Literally!
It is fascinating to note how the foetus in a mother's womb reacts to external stimuli which includes the sounds of music, nature and everything that can be stored in the deepest of the deep tranquilities.
3 mins
Arko Pravo Mukherjee
Arko Pravo Mukherjee
2 mins
Creative Sidechaining Techniques
Creative Sidechaining Techniques
2 mins
The Score Magazine Description:
Yayıncı: Score Media Pvt Ltd
kategori: Music
Dil: English
Sıklık: Monthly
The Score Magazine aspires to become the first fully comprehensive home-brewn Indian Music Company. It irked us to see little vision or effort by several music media organizations in India to promote original music and to create an audience for it. We want good music to reach millions. We want to be the reason why musicians want to persist with what they do.
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