Kill ‘Em All and Ride the Lightning have fueled many heated sessions over the years. Now Metallica is ten albums deep spanning over their 35-plus years existence. Hardwired… to Self-Destruct fits right in with their early albums and they’ve been promoting it by playing smaller venues around the world, giving their fans an intimate experience to blow out their eardrums. James Hetfield took some time before playing Oakland’s Fox Theater to talk about technology, the symphony and longevity.

You’ve done huge stadium tours and festivals but recently you’ve been taking it back to smaller venues. Does playing a venue like the Fox bring you back to the Kabuki days in the ’80s?
Ha! Almost like that. Dude, it’s so fun. This is the last date on the promo tour. We’ve just been doing promo all over the place: New York, LA, London, Paris, Berlin, here—doing smaller gigs to get the vibe pumped up. Playing new songs, getting people excited, getting them out to see music, you know, metal music. I’d rather see a band in a small place. I love this place. The Fox is awesome. I’ve taken my kids to see plenty of gigs here. This is probably the biggest one of the clubs we’ve done recently. They’ve been between 150 to this, so we’ve had fun. Over in London we played the House of Vans.
I was there. That was an awesome show.
It was cool. It didn’t sound the best but you’re in a freaking tunnel.
It was a legit London dungeon. At that show you guys opened with Budgie’s “Breadfan.” I think its awesome how you guys pay tribute to other bands and have collaborated with other artist like Lou Reed. What does it mean to you to cover these songs and work with these artists?
This story is from the MARCH 2017 edition of THRASHER.
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This story is from the MARCH 2017 edition of THRASHER.
Subscribe to Magzter GOLD to access thousands of curated premium stories, and 8,000+ magazines and newspapers.
Already a subscriber? Sign in

The Cool Kids
The Cool Kids are officially back. After a lengthy hiatus, Mikey Rocks and Chuck Inglish have decided the timing was right to pick up where they left off and have already released two new singles: “Running Man” and “Connect Four” ahead of their upcoming 2017 release, Special Edition Grand Master Deluxe. As the duo was in Miami attending Art Basel, they had some time to talk about their reunion, rappers going crazy and why 2008’s The Bake Sale EP never would have happened without skateboarding and Vicodin. —Kyle Eustice

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Kill ‘Em All and Ride the Lightning have fueled many heated sessions over the years. Now Metallica is ten albums deep spanning over their 35-plus years existence. Hardwired… to Self-Destruct fits right in with their early albums and they’ve been promoting it by playing smaller venues around the world, giving their fans an intimate experience to blow out their eardrums. James Hetfield took some time before playing Oakland’s Fox Theater to talk about technology, the symphony and longevity.

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I caught Grieves at the Mystic Theater in Petaluma, CA. I laughed on the way when we passed the Birkenstock sandals headquarters. That ain’t gangsta. When we got to the show and my wife said, “It smells like manure,” I laughed again; hell of a setting for a night of rap music. On the car ride up we’d been listening to Kendrick and YG spin tales about Compton, or “Bompton” if you will. I was a little sad to see that no one in Petaluma was “bickin’ back bein bool.” And yet, when Grieves took the stage I was transported to another world. One where hip-hop and culture are a nation without borders and there is the promise of transcendent unity in booty shaking. All it took was flow, and heart and Grieves had them in abundance.

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