Conceptual art is art where the artistic aspect is considered to reside in the concept alone, not in any of its sensory qualities (if it has any). For many years now conceptual art has formed the dominant strand of contemporary art – at least according to that network of galleries, critics and collectors who decide what should be considered important among the range of current artistic production. Now, however, it’s beginning to be displaced by a new contender for our attention, which I propose to call ‘social art’. I’ll explain what I mean by this soon. First, I want to consider the general question of how specific art-forms rise to prominence.
The Institutional Theory of Art
Philosophers have asked the question ‘What is Art?’ as far back as Plato in the fourth century BCE. But the question has seemed to acquire a new urgency in response to the bewildering diversity of objects and activities which in the twentieth century have been claimed to have the status of ‘art’.
This story is from the April/May 2021 edition of Philosophy Now.
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This story is from the April/May 2021 edition of Philosophy Now.
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