Curios a go-go From medieval helmets and armour to skulls and art supplies, this illustrator’s studio is a collection of oddities that delight the imagination.
I’ve been a working illustrator for almost 10 years. During this time, my studio was a room that lacked functionality and design, consisting of old furniture and insufficient storage space. So in 2018, I decided to remodel my studio. I wanted a space that truly reflected my needs as a professional artist and showcased the things that inspired me.
The first step was putting in a laminate wood floor. I had beige carpet in my old studio and it was a nightmare. Guess what? It’s really difficult to remove black ink from a beige carpet! As an artist, you must accept the fact that you’re going to spill things on the floor, so make sure that you have a surface which can handle the mess.
Diese Geschichte stammt aus der October 2019-Ausgabe von ImagineFX.
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Diese Geschichte stammt aus der October 2019-Ausgabe von ImagineFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
A Tribute To Akira Toriyama
Remembering a legend Artists from across the world pay homage to the influential manga artist and genius creator of Dragon Ball
First Impressions
The illustrator reveals his journey through the world of art
DEVELOP 3D SKILLS FOR CONCEPT ART
Gaëlle Seguillon creates a breathtaking fantasy environment by combining a selection of techniques within her workflow
DRAW FUTURISTIC VEHICLE DESIGNS
John A. Frye uses just a single brush to transform his messy thumbnail into a bold and colourful hard-surface creation
PART 5: SIMPLIFY THE VALUE SCALE
Charlie Pickard introduces his top advice for achieving strong values in your artwork to create clear and powerful imagery
Charles Ratteray
Page-turner Library meets laboratory in the artist's studio, packed with inspiration and a mix of media
How to tell a story in an image
Narrative masters Tanya Combrinck talks to four artists about using visual elements to imbue their work with personal and universal human stories
ILLUSTRATE A MAGICAL CHARACTER
For this illustration, I was asked to create a fun, bright image with the theme of making artwork magical by the developers behind the digital drawing app Clip Studio Paint.
First Impressions - Glenn Arthur
Influences from Disneyland shape the artist’s work
THE ART OF BRIAN SUM
Dominic Carter talks to the mech master about honing his cyberpunk visions, character designs, and his new artbook