Going The Whole 6 Yards
CULTURAMA|July 2018

DIDEM ATAHAN FABIG, AN AMERICAN WOMAN OF TURKISH ORIGIN AND WIFE OF THE GERMAN CONSUL GENERAL TO CHENNAI, TOUCHES ON HOW SHE MAKES THE MOST OF LIVING ACROSS COUNRIES AND CULTURES

Yamini Vasudevan
Going The Whole 6 Yards

One of the first things I tell Didem Atahan Fabig is that I actually intended to wear a sari to our first meeting. Intended, but did not carry out, as the sari did not sit the right way – despite employing every tucking and pleating trick I knew. She laughs, points to her pants-and-blouse ensemble, and tells me she had considered wearing a sari, too, but changed her mind due to time constraints. I know of Didem’s love for the six-yard drape from a (sari-centred) Facebook group that we are both part of. We talk briefly about how we are besotted with saris, her preferred weaves and favourite shopping spots.

Our conversation veers into several areas. She shares about her experience of having lived across different countries (Turkey, United States, Germany and India, to name a few), and how she has come to love Chennai. We touch on her work as well. A psychologist by profession, she has worked with people from various backgrounds. In recent years, while in Chennai, she worked with (primarily female) victims of immolation – by accident and intent. She aims to research further on acts of violence perpetrated against women and the tendency towards suicidal acts and self-harm amongst them as well. As the wife of the German Consul General – and on her own – she has been active on the social front, too, and is well appreciated for her enthusiastic participation in local social events and causes. A few months ago, she started a jewellery line, and is now working with artisans from Jaipur to create pieces that are suited to Western tastes.

Her ability to wear so many hats with panache is impressive. Her warmth and open manner make for a wonderful conversation – some excerpts from which I have shared below.

This story is from the July 2018 edition of CULTURAMA.

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This story is from the July 2018 edition of CULTURAMA.

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