HUMANS TAKE A BACK SEAT IN THE STUNNING AI, SCI-FI EPIC 'THE CREATOR'

The artificial intelligence in Gareth Edwards’ “ The Creator,” a visually magnificent if by-the-books epic, is not the AI making headlines at the moment. This is AI in the classic sci-fi mold — the Roy Battys of “Blade Runner,” the Avas of “Ex Machina,” the ones whose sentience we question and debate endlessly. Will the machines kill us? Take our jobs? Or do something that the movies haven’t dreamed possible yet?

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As the retired special forces guy cleaning up nuclear debris, Joshua (John David Washington), flatly tells a fellow worker when she posits that the AIs were indeed after their jobs: “They can have this one.”

Regardless, for now, artificial intelligence is more allegory for the other than aspiring screenwriters, filmmakers or trash collectors. And, for Edwards and his co-writer Chris Weitz, they might even have more capacity for humanity and goodness than humans, which is not exactly part of the ChatGPT conversation either, though that would be an interesting twist.

In the world of “The Creator” they’re welcomed by society at first as an unambiguous good — a helpful servant class that have the ability to make our human lives better. But as they so often do in sci-fi dystopias, they turned on us. Actually, more specifically, they turned on the U.S. when they dropped a nuclear weapon on downtown Los Angeles. Naturally, that means war.