Poging GOUD - Vrij
Hi-fi shows, Capital Audiofest, and the Doshi Evolution Phono
Stereophile
|February 2026
I was heading back home to New York in my old Mercedes diesel on a Sunday evening, having just attended the annual Capital Audiofest near Washington, DC. Riding shotgun was fellow Stereophile scribbler Ken Micallef, and as we puttered along the straight, featureless lower half of the New Jersey Turnpike, we started to reminisce about our audio show experiences.
My first audio event was the 1973 hi-fi show in Brussels, Belgium, held at the massive Brussels Exhibition Centre, near the famous Atomium landmark. Today, it's hard to imagine a hi-fi show big enough to fill a huge convention center, but back then, audio was big business. My dad had pretty much zero interest in audio equipment, but he recognized my passion and indulged my 11-year-old self by taking me to the show. Standouts I remember to this day include the Nakamichi 1000 cassette deck, which proved that cassette decks were more than just repurposed dictation machines, and a Dual display that had a playing turntable mounted in a rotating jig that flipped the turntable on its side and even upside down without causing it to skip a groove. This taught me the benefits of a dynamically balanced tonearm.
Fast forward about 15 years. After moving back to New York from London, I was just getting my start in the audio business, working at Andy Singer's high-end store in Manhattan. Back then, there was only one American hi-fi show that really mattered, the Consumer Electronics Show (CES). To be a bit more accurate, it was two shows, because back then there were two Consumer Electronics Shows each year, the Summer CES in June in Chicago, and the Winter CES in January in Las Vegas. The main event for what the CES people liked to call “specialty audio” was the summer show in Chicago. High-end audio exhibitors were spread out among classic old hotels like The Americana Congress, The Palmer House, and The Blackstone, all on or close to Michigan Avenue, while the big mainstream companies—Sony, Panasonic—took over the nearby McCormick Place Convention Center.
Dit verhaal komt uit de February 2026-editie van Stereophile.
Abonneer u op Magzter GOLD voor toegang tot duizenden zorgvuldig samengestelde premiumverhalen en meer dan 9000 tijdschriften en kranten.
Bent u al abonnee? Aanmelden
MEER VERHALEN VAN Stereophile
Stereophile
ICONS AND INNOVATORS AT DEFINITIVE AUDIO
Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.
10 mins
February 2026
Stereophile
Touched-up Beatles and Ringo in color
Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.
3 mins
February 2026
Stereophile
Traveling through time and space
In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”
4 mins
February 2026
Stereophile
EgglestonWorks Andra 5
Big loudspeakers are where diligent hi-fi reviewers really earn their pay.
16 mins
February 2026
Stereophile
RECORD REVIEWS
Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?
3 mins
February 2026
Stereophile
Doshi Audio Evolution Stereo
Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.
14 mins
February 2026
Stereophile
Sticking with it
David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.
4 mins
February 2026
Stereophile
Period-style listening
Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.
12 mins
February 2026
Stereophile
CH Precision L10
TWO-CHASSIS LINE PREAMPLIFIER
16 mins
February 2026
Stereophile
Rock don't give a shit, you know
Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.
3 mins
February 2026
Listen
Translate
Change font size
