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THERE'S NO RIGHT OR WRONG IN MOVIE LOVE

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August 14, 2023

IF YOU’RE LIKE MOST PEOPLE, YOU PROBably freeze when someone asks you what you think is the best movie of all time. What if you give a confident answer, only to wake up in the middle of the night, certain you should have said something else?

- STEPHANIE ZACHAREK

THERE'S NO RIGHT OR WRONG IN MOVIE LOVE

And do you choose the movie you love most, or one you know is commonly identified as great? After all, if you go with one of the classic, default choices—Citizen Kane, Casablanca, The Godfather—no one can accuse you of having bad taste, or strange taste. Or the wrong taste.

After compiling and annotating my own list of the 100 best movies of the past century—broken down by decade, 10 pictures in each—I’m here to reassure you that there’s no such thing as the wrong taste. And if there is such a thing as bad or strange taste, then my advice is to own it. No one can dictate your preferences to you; they’re as individual as your fingerprints. Besides, the issue is further complicated by the fact that there are so many barometers of greatness. Is the best movie the one you can watch anytime, the one that always lifts your mood? Is it the one that makes you cry the hardest? Is it the one with the actors you never tire of watching?

MEER VERHALEN VAN Time

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The journalist and the jinx in a suburban standoff

CLAIRE DANES GETS A LOT OF ATTENTION for her “cry face.” It is, indeed, a sight to behold. Engulfed by waves of sorrow, her chin vibrates, her eyes scrunch, the corners of her mouth turn down as though tugged by invisible weights.

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4 mins

December 08, 2025

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LIVING IN PUBLIC

“The camera eats first.” A decade ago, that phrase was a joke about influencers and their avocado toast. Now it's shorthand for how every corner of life—dinners, cleaning, milestones, even grief—can be packaged for public consumption. We live in a world where intimacy has become inventory, where the difference between living and posting is often just a matter of lighting.

time to read

3 mins

December 08, 2025

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5 migraine symptoms that aren't headaches

NEARLY 40 MILLION people in the U.S. suffer from migraines, making the painful disorder one of the most common that neurologists treat. It's also among the most confusing. Because of the many ways it can show up, it can take more than a decade to receive an accurate diagnosis.

time to read

2 mins

December 08, 2025

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Distress Signal

WHAT THE L.A. FIRES REVEAL ABOUT AMERICA'S BLEAK CLIMATE FUTURE

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13 mins

December 08, 2025

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The food pyramid may be back on the menu

EARLY PUBLIC NUTRITION ADVICE CAME AS A WARNING. Wilbur O. Atwater, a chemist and renowned nutritionist, wrote in an 1902 edition of the U.S. Department of Agriculture's (USDA) digest, Farmers' Bulletin, that \"Unless care is exercised in selecting food, a diet may result which is one-sided or badly balanced—that is, one in which either protein or fuel ingredients (carbohydrate and fat) are provided in excess ... The evils of overeating may not be felt at once, but sooner or later they are sure to appear.\"

time to read

2 mins

December 08, 2025

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Where top U.S. leaders earn their stripes

AS THE INDUSTRIES AND COMPANIES driving the American economy change, new generations of leaders are rotated in to take the helm.

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3 mins

December 08, 2025

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The Risk Report

THREE YEARS AND NINE MONTHS after Russia's full-scale invasion of Ukraine, the war grinds on. There's been plenty of news and noise of late. Yet as we approach the end of 2025, there's no sign of resolution on the horizon.

time to read

2 mins

December 08, 2025

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JON CHU'S AMERICAN DREAM

The Wicked: For Good director on trying to change the world, one blockbuster at a time

time to read

6 mins

December 08, 2025

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Ken Burns'

The filmmaker on his 12-hour documentary The American Revolution, the importance of undertow, and what's next

time to read

2 mins

December 08, 2025

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A seductive Dangerous Liaisons remix, with feminist intentions

There are no heroes in Les Liaisons Dangereuses, Pierre Choderlos de Laclos' 1782 novel of end-stage French aristocratic decadence. Its chief villain is Marquise Isabelle de Merteuil, a master manipulator who exploits her former lover the Vicomte de Valmont's resurgent desire for her with a wager that dooms them both. As a teenage Fiona Apple dryly noted: “It's a sad, sad world when a girl will break a boy just because she can.”

time to read

1 mins

December 08, 2025

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