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THE AI ARMS RACE IS CHANGING EVERYTHING

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February 07 - March 06, 2023 (Double Issue)

Tech companies are betting big on AI. Are they making the same old mistakes?

- ANDREW R. CHOW AND BILLY PERRIGO

THE AI ARMS RACE IS CHANGING EVERYTHING

TO CREATE IS HUMAN. FOR THE PAST 300,000 YEARS we’ve been unique in our ability to make art, cuisine, manifestos, societies: to envision and craft something new where there was nothing before.

Now we have company. While you’re reading this sentence, artificial intelligence (AI) programs are painting cosmic portraits, responding to emails, preparing tax returns, and recording metal songs. They’re writing pitch decks, debugging code, sketching architectural blueprints, and providing health advice.

Artificial intelligence has already had a pervasive impact on our lives. AIs are used to price medicine and houses, assemble cars, determine what ads we see on social media. But generative AI, a category of system that can be prompted to create wholly novel content, is much newer.

This shift marks the most important technological breakthrough since social media. Generative AI tools have been adopted ravenously in recent months by a curious, astounded public, thanks to programs like ChatGPT, which responds coherently (but not always accurately) to virtually any query, and Dall-E, which allows you to conjure any image you dream up. In January, ChatGPT reached 100 million monthly users, a faster rate of adoption than Instagram or TikTok. Hundreds of similarly astonishing generative AIs are clamoring for adoption, from Midjourney to Stable Diffusion to GitHub’s Copilot, which allows you to turn simple instructions into computer code.

MEER VERHALEN VAN Time

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CRISTIANO AMON

Qualcomm's CEO on gladiators, where AI will live, and taking on Nvidia

time to read

3 mins

January 16, 2026

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Menopausal women in revolt

In the early 1990s, young women raised on second-wave feminism but marginalized within the punk scene revolted. Dubbed riot grrrls, bands like Bikini Kill and Bratmobile aimed wrathful lyrics and gallows humor at a culture of misogyny as it manifested in their own lives, from condescending male musicians to abusive fathers. Now, those artists are in their 50s. And while sexism persists, it touches older women in different ways.

time to read

1 mins

January 16, 2026

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5 PREDICTIONS FOR AI IN 2026

The technology is poised for integration into everyday experience

time to read

2 mins

January 16, 2026

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AFRICA'S MINERAL MAKEOVER

Soaring demand for resources is reshaping Africa's ambitions— and place in the global order

time to read

13 mins

January 16, 2026

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WHY AREN'T WE USING AI TO ADVANCE JUSTICE?

Giving overlooked victims access to lawyers and courts

time to read

3 mins

January 16, 2026

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DECODING THE OVARY

SCIENTISTS ARE TARGETING THE ORGAN TO TRY TO SLOW DOWN AGING. WILL IT WORK?

time to read

12 mins

January 16, 2026

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KRISTALINA GEORGIEVA

The IMF managing director on the future of trade and AI

time to read

3 mins

January 16, 2026

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THE NEW OLD AGE

THE \"GOLDEN YEARS\" ARE GETTING AN UPGRADE

time to read

10 mins

January 16, 2026

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A Korean master dampens the power of a corporate thriller

THERE'S NO BETTER TIME FOR AN ADAPTATION of Donald E. Westlake's unsparing 1997 novel The Ax, which treats downsizing as a form of dehumanization. The bad news is that No Other Choice, the Ax adaptation Korean master Park Chan-wook has long wanted to make, isn't the picture Westlake's cold shiv of a novel deserves. As fine a filmmaker as Park is—his 2003 Oldboy is a chilly, operatic masterpiece—No Other Choice is too dully observed and too slapsticky to hit its mark. It's a missed opportunity dressed up with proficient filmmaking.

time to read

2 mins

January 16, 2026

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THE DREAM DEMANDS MORE

Have AI answer Dr. King's call for economic justice

time to read

2 mins

January 16, 2026

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