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Poging GOUD - Vrij

Where I FOUND MYSELF GROWING UP in a small town in Mississippi, JESMYN WARD LEARNED about EMPATHY-and IDENTITY–through the BOOKS in her elementary-school LIBRARY

Harper's BAZAAR - US

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September 2023

In my memory, my elementary school was small and standard for a poorer, rural Mississippi town. The brick was the color of an old scab. There were three buildings: an auditorium with classrooms, a newer structure with squat ceilings and cinder-block walls, and an ancient cafeteria that had been there since my mother’s time.

- JESMYN WARD

Where I FOUND MYSELF GROWING UP in a small town in Mississippi, JESMYN WARD LEARNED about EMPATHY-and IDENTITY–through the BOOKS in her elementary-school LIBRARY

She was one of the first Black students to attend the school when it was integrated in the ’60s. I’d imagine 20 years later, as I ate my packed lunch in the cafeteria, that slant-walled building looked much the same as it did back then: all peeling, sun-bleached wood, with box fans going strong in the windows because it had no central air or heat.

Even though it was old and dingy, I loved my school. I loved the tiny square playground where I spent most of my recess hours, surrounded by tall pine trees in an amphitheater of living green. I spent long moments looking up at their crowned heads, trying to discern some dialogue in the way they swayed in the wind or nodded in the breeze. I loved the small courtyard near the cafeteria. It was where I first learned that if I stood very still and studied the sky, the clouds would move like great boats overhead, casting their cool shadows on the concrete and grass.

"Finding JOY in the midst of these BOOK BANS is easy because, although the PROLIFERATION of these BANS reflects a DANGEROUS SUPPRESSIVE and ANTIDEMOCRATIC SURGE across our country, COMMUNITIES and particularly YOUNG PEOPLE are FIGHTING BACK, are demanding a FREEDOM to READ and LEARN and be UNCOMFORTABLE." NIKOLE HANNAH-JONES

MEER VERHALEN VAN Harper's BAZAAR - US

Harper's BAZAAR - US

Wildest DREAMS

There's never been a better time to go on SAFARI, with CAMPS that prioritize CONSERVATION delivering ONCE-in-a-LIFETIME experiences

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

On PERFORMANCE

I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Holding THE STAGE

DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

LIGHT Show

LASER TREATMENTS have gotten so ADVANCED, there's now a LIGHT-BASED option for every skin GOAL and TONE. Ahead, the EXPERT GUIDE to the latest and greatest TECHNOLOGIES for RADIANT, SMOOTH skin-NO NEEDLES or scalpels required.

time to read

5 mins

November 2025

Harper's BAZAAR - US

WHY DON'T YOU...?

As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!

time to read

2 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Who Gets to Be PREPPY?

The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL

time to read

6 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

CYNTHIA ERIVO Is Unstoppable

CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

Leaps & BOUNDS

MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.

time to read

10 mins

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

DWANA SMALLWOOD, NOVEMBER 2000

“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.

time to read

1 min

November 2025

Harper's BAZAAR - US

Harper's BAZAAR - US

SHABOOZEY

Introducing This Issue's MUSIC DIRECTOR

time to read

1 min

November 2025

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