Soundcheck

HOTSHOT COMPOSERS SACHIN-JIGAR TELL SRIJANI ROY CHOWDHURY THAT COMPOSING IS ALL ABOUT SWAG

- SRIJANI ROY CHOWDHURY

Stepping into Sachin and Jigar's serene studio feels like entering a sacred space for music.

The walls, painted in soothing shades of white and sky blue, complement the green sofas.

Shelves lined with books on music reflect the duo's passion and expertise. As I wait for my turn to speak with them, a beautiful voice echoes from behind a closed door, hinting at a rehearsal in progress. My thoughts are interrupted when a team member calls me into their inner chamber.

Excited, I enter, eager to explore their creative process and hear their insights on composing, songwriting, and the evolving Indian music landscape. Our conversation reveals not only their artistic approaches but also their deep love for culture and ownership of their music.

You're the go-to composers for horror, after creating songs for Stree, Stree 2, Roohi, Bhediya and Munjya. How do you avoid repetition when it comes to horror films?

Sachin: We've had our unsuccessful attempts too.

For example, Roohi struggled because of COVID. We're always blending genres. We can't deliver 100 per cent horror; that would only attract a niche audience. Our songs need a mix of comedy and romance to appeal to families. Without the horror elements, only the masala works. The script helps us determine the right flavour for each song.

A track like Kamariya wouldn't fit in Munjya.

Jigar and I don't stockpile songs; we curate and customise them for the characters and the movie's premise.

Jigar: We knew the Stree universe would continue, so we avoided making sequels like Milegi Part 2 or Kamariya Part 2.

We didn't want to fall into the 'part 2' formula.

Is there a method to your madness when creating hooks for songs like Char baj gaye or Beat pe booty?