Poging GOUD - Vrij
Patty Chang
Issue 252 - June, July, August 2025
|Frieze
BANK NYC, New York, USA
Patty Chang’s spartan BANK NYC exhibition, ‘Touch Archive’, proves quite touching, if not always in the intended ways. Its centrepiece, We Are All Mothers (2022), is a ruminative 20-minute video essay based on a collaborative research project, Learning Endings (2022-ongoing), that the artist undertook with veterinary pathologist Aleksija Neimanis and cultural theorist Astrida Neimanis. On a nearby table sits Memory Game (2022), a grid of 16 facedown photographs depicting the veterinarian’s gloved hand touching deceased harbour porpoises; the exhibition didactics encourage visitors to flip over the photographs, two at a time, to reveal and try to match the images. The inter-active artwork instantiates the video's haptic theories, but the video itself suggests that art’s power actually derives from the intellectual distance that mediation affords.
A substantial amount of the touch depicted in
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