Poging GOUD - Vrij

Yamaha A-S3200 INTEGRATED AMPLIFIER

Stereophile

|

September 2020

Yamaha: The name evokes memories of my youth when those much-coveted receivers were out of financial reach, leading me to rely upon entry-level Kenwoods and Pioneers and others that sounded worse.

- JASON VICTOR SERINUS

Yamaha A-S3200 INTEGRATED AMPLIFIER

Everyone who ever had a cheap receiver blow up—that’s what caused me to move from Kenwood to Pioneer—or heard an old Akai that made LPs sound like 128kbps MP3s, please raise your hands.

Yamaha was in a different league.1 Hence, when Jim Austin proposed that I review the brand-new, top-of-the-line Yamaha A-S3200 integrated amplifier ($7499.95), I was eager to discover just how far the company’s designs had progressed since I was in my 30s.

When I first saw the A-S3200’s retro, double-meter look and discovered that it has bass and treble tone controls and a front-panel headphone jack, l experienced a moment of time-travel déjà vu. I returned to the 21st century upon examining the multilanguage owner’s manual and noting that it was free of the kind of Japanese-to-English mistranslations that made some of Yamaha’s early manuals so much fun to read. If only some high-end companies with far more expensive products would take the same care with their product manuals. (A good start, in a few cases, would be to write one.)

MEER VERHALEN VAN Stereophile

Stereophile

Stereophile

EAT F-Dur

TURNTABLE WITH EAT F-NOTE TONEARM

time to read

10 mins

November 2025

Stereophile

Stereophile

Hi-fi near and far

As the Spin Doctor, I tend to lead an analog life. I'm not just talking about my preferred ways of listening to music, but also my approach to other everyday technology.

time to read

11 mins

November 2025

Stereophile

Stereophile

HiFi Rose RA280

It's been said before, but the essential truth remains as shiny as a new 2A3 tube: A well-made, good-sounding integrated amplifier is a sonic marvel, a triumph of audio engineering. Sound quality is just the beginning.

time to read

14 mins

November 2025

Stereophile

Stereophile

15 FOR 50 1975 IN 15 RECORDS

WAS IT SOMETHING IN THE AIR, SOMETHING IN THE WATER? COSMICALLY INSPIRED BY THE STARS AND THE MOON? OR MAYBE THE DEVIL WAS FINALLY CLAIMING HIS OWN AS ROCK MUSIC IN ALL ITS VARIANTS WAS UNASSAILABLY ASCENDENT.

time to read

12 mins

November 2025

Stereophile

Stereophile

Doing it for themselves—and for us

Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.

time to read

3 mins

November 2025

Stereophile

Stereophile

McIntosh DS200 STREAMING D/A PROCESSOR

McIntosh, which is based in my home state of New York, has long been in my audio life.

time to read

14 mins

November 2025

Stereophile

Stereophile

The BEAT Goes On

Adrian Belew had an itch that needed some serious scratching.

time to read

7 mins

November 2025

Stereophile

Stereophile

Half a century in hi-fi

Not many hi-fi dealerships can say they've survived half a century of history. Natural Sound, which is based in Framingham, Massachusetts, about 20 miles west of Boston, is one that can.

time to read

3 mins

November 2025

Stereophile

Stereophile

The skating force phenomenon

At the beginning of last month's As We See It, I wrote that I've lately been focused on \"analog things.\" I proceeded to write about refurbishing and modding my old McIntosh tuner. That's \"analog thing\" #1.

time to read

4 mins

November 2025

Stereophile

Stereophile

Monk's tenor

In Robin D.G. Kelley's definitive, 450-page biography of Thelonious Monk, Monk and tenor saxophonist Charlie Rouse first meet on p.100, in 1944.

time to read

4 mins

November 2025

Translate

Share

-
+

Change font size