Poging GOUD - Vrij

Estelon Forza LOUDSPEAKER

Stereophile

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November 2021

EQUIPMENT REPORT

- MICHAEL FREMER

Estelon Forza LOUDSPEAKER

You’ve got your 2001: A Space Odyssey speaker, which of course is a tall, black, featureless mono-lith. Then there’s your wooden “Who’s buried inside?” speaker, your “R-I-C-O-L-A” speaker,1 your enema bag or double-inverted enema bag speaker, your menacing hooded-Klansman speaker, your “looks like a robot, praying mantis, or Transformer” speaker (mine), and your “Does it leave a slime trail?” speaker (looks like a snail). You’ve got your “Is that a room divider?” speaker, your “looks like you stepped on a duck’s head” speaker, and your “whipped cream dollop suspended in time” speaker.

That’s just a few of the many loudspeaker “looks” on display at your typical large hi-fi show. Some are imaginative, some are farfetched, some are just weird, and some are deadly boring. Brand names available upon request.

Some speaker designs—the drivers-in-a-rectangular box configuration, for example, especially the ones made of wood or MDF—choose not to take advantage of many design and construction innovations developed over the past few decades, happy to defiantly shout “retro!” Some combine interesting new tech with whimsical industrial design.

And then there are the unusually graceful, sculpted designs from Estonia-based Estelon, which for me were not make-funnable until my local Stop & Shop supermarket began tailing me with a creepy, green-light–blinking security robot, which looked to me like a much-less-graceful Estelon.2

MEER VERHALEN VAN Stereophile

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

time to read

3 mins

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

time to read

4 mins

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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16 mins

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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3 mins

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

time to read

14 mins

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

4 mins

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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12 mins

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CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

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16 mins

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

time to read

3 mins

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