Poging GOUD - Vrij

ESTATE of GRACE

Veranda

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May - June 2022 / Volume 36 Issue 3

On the heels of her new collection of garden-inspired tableware, Zoë de Givenchy welcomes guests in the warm tradition of Le Jonchet, her family's 16th-century manor house in the French countryside.

- STEPHANIE HUNT

ESTATE of GRACE

WHEN THEY WERE YOUNG, my husband, Olivier, and his identical twin brother, James, often spent time here at Le Jonchet with their uncle Hubert and Philippe (Venet], his partner and my husband's godfather. It's not far outside of Paris, so after we met, Olivier and I too could hop over from London for weekend visits. Now that they've both passed, and with Olivier and James deciding to keep the home in the family, we feel so fortunate to have had so many memories here with them. It still feels remarkable to me somehow, and very grown-up, to think we're now in charge of this spectacular place.

What a delight it's been to learn the character of this house, its personality, its rhythm throughout the seasons. Everything Hubert did was immaculate, so it's hard to think one might improve on anything. We've kept everything as it was-Hubert's photographs, his personal objects; nothing has been moved.

Well, except maybe in the attic or cellar, where the children film scary movies and play hide-and-seek. They're in heaven, obviously, and we have such fun creating more memories with them here.

MEER VERHALEN VAN Veranda

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ABOUT A YEAR AGO, design brand strategist Sean Yashar wrote an essay for his Sub-stack newsletter lamenting the disappearance of evening photography—images of atmospherically lit rooms—from design magazines like this one. There are several explanations for this, including a pivot away from the more glamorous, even disco-influenced aesthetic of the 1970s and '80s to a flatter, shadowless decorative point of view and, of course, the transformational evolution from analog to digital technology. Regardless of design preferences or technological advancements, our lives at home unfold across a wide range of light conditions, from dusk to dawn, with many of our domestic moments occurring after dark. It seemed a lost opportunity not to tell the stories of those “narrative-rich hours,” as Yashar called them, in VERANDA.

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Terms of Enlightment

For the first column of his exclusive new series for VERANDA, designer MARKHAM ROBERTS bristles under the glare of modern lighting, calling for a return to softnessand simplicity-at home.

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BROADENING the HORIZON

A downtown doyenne trades her Charleston penthouse for a modernist glass home that floats above the Lowcountry marsh with a refreshing new perspective.

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WRITTEN in the STARS

In New York, Michael S.Smith and Andrew Oyen build a new narrative for a 19th-century town house—with a little help from the cosmos.

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