Poging GOUD - Vrij

Figure Of Speech

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October/November 2017

A modern farmhouse on the harbour at Point Wells is designed around the collections of a lifetime and the rhythms of rural life.

- Simon Farrell-Green

Figure Of Speech

The village of Point Wells is surrounded on three sides by water, across the Whangateau Harbour from the beach-side settlement of Omaha. It’s a sleepy, estuarine place: one road in, one road out; big trees, a store and some lovely chunks of tidal waterfront land. Twenty years ago, the owners of this new house, by Aaron Paterson, Dominic Glamuzina and Steven Lloyd, reluctantly sold their old house beside the estuary and moved to Omaha – much more attractive to their teenage kids at the time. They then spent two decades working out how to get back.

When they finally made it back across the causeway, it was for a different sort of occupation: a decidedly rural one. Having retired from full-time work in Auckland, they wanted to build a house that was part retreat, part permanent home – a modern farmhouse, complete with out-buildings and lots of room for people to stay. They planned an orchard, a cricket oval and a huge vegetable garden. It had to cope with one person in the middle of winter, or 20 in the height of summer. And it had to house a wonderful collection of art and artefacts gathered over a lifetime, including what you might call a cabinet of curiosities from around the world that takes in taxidermy, ethnic art and fertility symbols, which sit lightly next to art that includes several large works by Allan Maddox.

MEER VERHALEN VAN HOME

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