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Analog Corner

Stereophile

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July 2017

THIS ISSUE: Zesto’s Andros Téssera phono preamp and Acoustic Signature’s revised Ascona turntable and TA-9000 tonearm.

- Michael Fremer

Analog Corner

A new phono preamp from Zesto, plus LP player updates from Acoustic Signature

Maybe you’ve seen the widely circulated New Yorker cartoon: Two guys stand in front of a nicely drawn, tubed audio system, under which are shelves full of LPs. One guy says, “The two things that really drew me to vinyl were the expense and the inconvenience.”

If you can’t laugh at that, you’ve lost your sense of humor—even acknowledging that, oddly, convenience is the raison d’être of some recent phono preamplifiers—including Dan D’Agostino Audio’s Momentum and the CH Precision P1, both of which offer multiple, switchable, configurable inputs saved in memory. Today’s well-heeled vinyl enthusiast might have two or more tonearms mounted on a single turntable—or even two turntables, each with two arms. Zesto Audio’s new Andros Téssera tubed phono preamplifier takes aim at that market segment.

ZESTO AUDIO ANDROS TÉSSERA PHONO PREAMPLIFIER

Zesto Audio’s new two-box Andros Téssera tubed phono preamplifier measures 17" wide by 5.5" high by 15" deep, weighs 25 lbs, and costs $12,000. The case is made of 16-gauge steel.

The Téssera is actually conjoinedtwin phono preamps, each twin referred to by Zesto as a channel. (The terminology is confusing at first, seeing as how each of those channels also includes left and right

MEER VERHALEN VAN Stereophile

Stereophile

Stereophile

ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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10 mins

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Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

time to read

3 mins

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

time to read

4 mins

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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16 mins

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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3 mins

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

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14 mins

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

4 mins

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Stereophile

Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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12 mins

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CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

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16 mins

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

time to read

3 mins

February 2026

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