‘Creed II' Goes More Than The Distance. It's A Ko

The weight of legacy hangs heavily over “Creed II.” Not just for most of the characters, who must come to grips with their own family histories. But also for the filmmakers, tasked with making a sequel to a successful spin-off of a beloved franchise. It would put any film on the ropes. Not this one.

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“Creed II” pulls off a rather amazing feat by adding to the luster of its predecessor and propelling the narrative into a bright future while also reaching back to honor its past, resurrecting unfinished business from “Rocky IV” and adding a dash of “Rocky III.” Pound per pound, the sequel might even be better than its predecessor.

Steven Caple Jr. replaced Ryan Coogler in the director’s chair this time but there is plenty of continuity: Michael B. Jordan returns as Adonis Creed, with Sylvester Stallone by his side as former heavyweight champ and trainer Rocky Balboa. Also back: Tessa Thompson as Creed’s love interest, Phylicia Rashad as Creed’s mom, and Wood Harris as a coach. Max Kellerman is ringside again as color commentator.

The sequel pits Creed against man-mountain Viktor Drago, the son of Ivan Drago, who killed Adonis Creed’s father, Apollo Creed, in the ring in “Rocky IV.” That stirs up trauma for Rocky, who feels responsible for the elder Creed’s demise. Rocky went on to avenge the death by beating the elder Drago but we also now learn what that disgrace meant for the Dragos. This film is about ghosts as much as it is a meditation on fatherhood. At one point Kellerman says the showdown between the sons of Creed and Drago is almost like a Shakespearian drama and — laugh if you must — it feels sort of right here.