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Totem Acoustic Element Fire V2

Stereophile

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February 2025

Totem Acoustic was founded in 1987, in Montreal, Canada, by a former high school math teacher named Vince Bruzzese. The company's first product, the Model 1 loudspeaker,' impressed me so much I bought a pair.

Totem Acoustic Element Fire V2

My old pal George Stanwick, who worked at Stereo Exchange, spotted me walking up Broadway through the store's window, whereupon he ran out and literally dragged me off the street pulling me by the arm-against my mumbled protests.

I followed George into Stereo Exchange's luxurious back room, where, spotlighted in front of me, I saw what looked like an expat's spin on trad-British "minimonitors." He busked me saying, "I know how you like Quads and Snells, so I know you'll like these Totems even more."

imageI loved George, so I sat and listened patiently-knowing that when he finished, I could laugh and tell him how wrong he was.

But he was right. These little boxes steered the music straight into my brain-just like Quads and Snells. I sat riveted, as George, who also worked at Tower Records, played a selection of genre-diverse recordings that he had just purchased (with my money) especially for me. (At that time, I was giving George $50 a week to buy me any records he thought I should have.) The Model 1s did not sound British, or American. But, like the best British speakers, the Totems preserved each record's unique flavor, a trait I regard as proof of truth.

Proof of truth is why I've always liked studio monitor type speakers, but at that time my BFF Altec 604s were feeling forward and noisy and fatiguing. That they lacked "pinpoint" imaging- which was the hi-fi fashion of the day-was stuck in my awareness. As was their shipping-crate bulk. I needed a radical change. George corralled me because he already knew I was shopping for something smaller and more laid-back. Something where the soundspace happens behind the speakers, where the speakers disappear while presenting a deep, wide, delicate soundstage. These new Totems did all that, and I used them until I bought my second pair of BBC LS3/5a's.

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If you find yourself in Monaco on a Sunday night, make your way to La Note Bleue, a cozy restaurant and music bar on the beach by the Avenue Princesse Grace. There, you're likely to find a legendary world/fusion guitarist sitting in with a group of young jazz musicians eager to cut heads with the acknowledged maestro of inner awareness and otherworldly spirits. Forever known to some as “Mahavishnu,” you can call him by his birth name, John McLaughlin.

time to read

3 mins

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36 sides of late Bowie

I Can't Give Everything Away is the sixth and last of the Bowie box sets that survey specific periods in the artist's career. The first was Five Years 1969–1973, released in September 2015. That was followed by Who Can I Be Now? (1974–1976), A New Career in a New Town (1977–1982), Loving the Alien (1983–1988), Brilliant Adventure (1992–2001), and finally the new set. Together, the six sets are an impressive testament to a musical giant—a heavyweight tribute figuratively and literally. You could use this last installment to pump up your biceps.

time to read

3 mins

December 2025

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Is this the ultimate old-school analog move?

Dedicated readers know that lately in this space I’ve been on something of an analog kick. Two months ago, in the October issue,¹ I wrote about refurbishing and modding my old McIntosh FM tuner. Last month’s column (November) was on the much-discussed but little-understood topic of the skating force on a phono cartridge stylus.²

time to read

4 mins

December 2025

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STEREOPHILE'S 34TH ANNUAL PRODUCT OF THE YEAR 2025 AWARDS

Stereophile's Product of the Year Awards were first published in 1992.1 I decided at that time that, in contrast to other publications' awards schemes, we would keep the number of categories to a minimum.

time to read

21 mins

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DeVore Gibbon Super Nine

LOUDSPEAKER

time to read

11 mins

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Some marketing claims are true

None of the amps I build are better than the others,” Justin Weber of Ampsandsound told me not long after we met. “They are just different.” I may have smirked inwardly. According to his company’s website, Weber makes no fewer than 23 amplifier models, many capable of driving both headphones and speakers, ranging from the $2700 Kenzie OG to the $38,000 Arch Monos. Are they really all equally good?, I wondered. Surely this was just a clever Buddhist ploy to distract us from some of his amps’ high prices. Doesn't the extra $35k spent on the Arch Monos buy you something more desirable than the performance offered by the little Kenzie? Writing for an audio magazine means I hear a lot of marketing claims, some more risible than others, and I have learned to take them with an entire seabed worth of salt.

time to read

11 mins

December 2025

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Lotti Golden

Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album. Released on Atlantic Records in 1969, Lotti Golden's Motor-Cycle was wildly experimental and ahead of its time. Seemingly poised for success, the album and her career suddenly vanished.

time to read

4 mins

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Baby you can drive my car(tridge)

While I was coming to grips with this month's review subject, the idler drive Garrard 301 Advanced, I began to think about the various methods that have been used to spin turntable platters over the years. Since the transition a century ago from windup clockwork to electric motors, there have basically been three ways to spin a turntable platter: idler drive, belt drive, and direct drive. True, there have also been a few designs that go their own unique ways, such as the rare, water-driven Oasis made by David Gillespie of Saturn Audio in the late 1970s and the gear-driven H.H. Scott 710 I once owned and foolishly sold. But almost everything made since the 1950s uses one of the three main drive systems. Even the Omega Drive system, which was used by Wilson Benesch on their extraordinary GMT One turntable, is at its core a direct drive design.

time to read

10 mins

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time to read

19 mins

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MANUFACTURERS' COMMENTS

MoFi Distribution would like to thank both Ken Micallef and John Atkinson for their time and effort reviewing the HiFi Rose RA280 integrated amplifier (November 2025, p.93).

time to read

2 mins

December 2025

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