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Taking Care of Business
Stereophile
|January 2025
As Jim Austin wrote in this space in the December 2024 issue, following a medical procedure that he had in mid-October, he needed to take several weeks' leave to recuperate. He delegated the magazine's production to Managing Editor Mark Henninger, AVTech Editorial Director Paul Miller, and myself. The three of us worked with copy editor Linda Felaco and longtime art director Jeremy Moyler to produce the issue you hold in your hands.
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As readers probably know, I was Stereophile's editor for 33 years until my retirement at the end of March 2019. However, they probably don't know that for the 10 years prior to my joining this magazine in 1986, I was first an editorial assistant, then Deputy Editor, then, in 1982, Editor of British magazine Hi-Fi News. (In a twist of fate, Paul Miller is now Hi-Fi News's Editor.)
I have thus been working in publishing for almost half a century, and as I started work on this issue's content, it struck me that I had forgotten how my life used to be dominated by monthly publishing schedules. Need to take a vacation? Only if the time taken doesn't conflict with the demands of the schedule. In June 1997, I wanted to tour Italy, starting and finishing in Rome, with stops in Florence, Venice, and Milan. (If you ever find yourself in Milan, you must visit the Leonardo da Vinci museum.) The only way that I could take the necessary two weeks off was that a year before the trip, I worked with the printer on the magazine's schedule and managed to get six weeks instead of the usual four-five for the August 1997 issue's production.
Other than accommodating the schedule, something that was a constant during those decades was the joy I got from listening to recorded music. When I joined Hi-Fi News in 1976, I had a Thorens TD-150AB turntable, a Shure phono cartridge, a Sony integrated amplifier, and Wharfedale loudspeakers.² I've never been a keepingup-with-the-Joneses kind of audiophile, but I have purchased many products over the years that impressed me with their ability to involve me in my music.³
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FLERE HISTORIER FRA Stereophile
Stereophile
Life in the emerald beyond
If you find yourself in Monaco on a Sunday night, make your way to La Note Bleue, a cozy restaurant and music bar on the beach by the Avenue Princesse Grace. There, you're likely to find a legendary world/fusion guitarist sitting in with a group of young jazz musicians eager to cut heads with the acknowledged maestro of inner awareness and otherworldly spirits. Forever known to some as “Mahavishnu,” you can call him by his birth name, John McLaughlin.
3 mins
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Stereophile
36 sides of late Bowie
I Can't Give Everything Away is the sixth and last of the Bowie box sets that survey specific periods in the artist's career. The first was Five Years 1969–1973, released in September 2015. That was followed by Who Can I Be Now? (1974–1976), A New Career in a New Town (1977–1982), Loving the Alien (1983–1988), Brilliant Adventure (1992–2001), and finally the new set. Together, the six sets are an impressive testament to a musical giant—a heavyweight tribute figuratively and literally. You could use this last installment to pump up your biceps.
3 mins
December 2025
Stereophile
Is this the ultimate old-school analog move?
Dedicated readers know that lately in this space I’ve been on something of an analog kick. Two months ago, in the October issue,¹ I wrote about refurbishing and modding my old McIntosh FM tuner. Last month’s column (November) was on the much-discussed but little-understood topic of the skating force on a phono cartridge stylus.²
4 mins
December 2025
Stereophile
STEREOPHILE'S 34TH ANNUAL PRODUCT OF THE YEAR 2025 AWARDS
Stereophile's Product of the Year Awards were first published in 1992.1 I decided at that time that, in contrast to other publications' awards schemes, we would keep the number of categories to a minimum.
21 mins
December 2025
Stereophile
DeVore Gibbon Super Nine
LOUDSPEAKER
11 mins
December 2025
Stereophile
Some marketing claims are true
None of the amps I build are better than the others,” Justin Weber of Ampsandsound told me not long after we met. “They are just different.” I may have smirked inwardly. According to his company’s website, Weber makes no fewer than 23 amplifier models, many capable of driving both headphones and speakers, ranging from the $2700 Kenzie OG to the $38,000 Arch Monos. Are they really all equally good?, I wondered. Surely this was just a clever Buddhist ploy to distract us from some of his amps’ high prices. Doesn't the extra $35k spent on the Arch Monos buy you something more desirable than the performance offered by the little Kenzie? Writing for an audio magazine means I hear a lot of marketing claims, some more risible than others, and I have learned to take them with an entire seabed worth of salt.
11 mins
December 2025
Stereophile
Lotti Golden
Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album. Released on Atlantic Records in 1969, Lotti Golden's Motor-Cycle was wildly experimental and ahead of its time. Seemingly poised for success, the album and her career suddenly vanished.
4 mins
December 2025
Stereophile
Baby you can drive my car(tridge)
While I was coming to grips with this month's review subject, the idler drive Garrard 301 Advanced, I began to think about the various methods that have been used to spin turntable platters over the years. Since the transition a century ago from windup clockwork to electric motors, there have basically been three ways to spin a turntable platter: idler drive, belt drive, and direct drive. True, there have also been a few designs that go their own unique ways, such as the rare, water-driven Oasis made by David Gillespie of Saturn Audio in the late 1970s and the gear-driven H.H. Scott 710 I once owned and foolishly sold. But almost everything made since the 1950s uses one of the three main drive systems. Even the Omega Drive system, which was used by Wilson Benesch on their extraordinary GMT One turntable, is at its core a direct drive design.
10 mins
December 2025
Stereophile
Audio Research Reference 330M
MONOBLOCK POWER AMPLIFIER
19 mins
December 2025
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MANUFACTURERS' COMMENTS
MoFi Distribution would like to thank both Ken Micallef and John Atkinson for their time and effort reviewing the HiFi Rose RA280 integrated amplifier (November 2025, p.93).
2 mins
December 2025
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