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Taking Care of Business

Stereophile

|

January 2025

As Jim Austin wrote in this space in the December 2024 issue, following a medical procedure that he had in mid-October, he needed to take several weeks' leave to recuperate. He delegated the magazine's production to Managing Editor Mark Henninger, AVTech Editorial Director Paul Miller, and myself. The three of us worked with copy editor Linda Felaco and longtime art director Jeremy Moyler to produce the issue you hold in your hands.

Taking Care of Business

As readers probably know, I was Stereophile's editor for 33 years until my retirement at the end of March 2019. However, they probably don't know that for the 10 years prior to my joining this magazine in 1986, I was first an editorial assistant, then Deputy Editor, then, in 1982, Editor of British magazine Hi-Fi News. (In a twist of fate, Paul Miller is now Hi-Fi News's Editor.)

I have thus been working in publishing for almost half a century, and as I started work on this issue's content, it struck me that I had forgotten how my life used to be dominated by monthly publishing schedules. Need to take a vacation? Only if the time taken doesn't conflict with the demands of the schedule. In June 1997, I wanted to tour Italy, starting and finishing in Rome, with stops in Florence, Venice, and Milan. (If you ever find yourself in Milan, you must visit the Leonardo da Vinci museum.) The only way that I could take the necessary two weeks off was that a year before the trip, I worked with the printer on the magazine's schedule and managed to get six weeks instead of the usual four-five for the August 1997 issue's production.

Other than accommodating the schedule, something that was a constant during those decades was the joy I got from listening to recorded music. When I joined Hi-Fi News in 1976, I had a Thorens TD-150AB turntable, a Shure phono cartridge, a Sony integrated amplifier, and Wharfedale loudspeakers.² I've never been a keepingup-with-the-Joneses kind of audiophile, but I have purchased many products over the years that impressed me with their ability to involve me in my music.³

FLERE HISTORIER FRA Stereophile

Stereophile

Stereophile

Doing it for themselves—and for us

Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.

time to read

3 mins

November 2025

Stereophile

Stereophile

15 FOR 50 1975 IN 15 RECORDS

WAS IT SOMETHING IN THE AIR, SOMETHING IN THE WATER? COSMICALLY INSPIRED BY THE STARS AND THE MOON? OR MAYBE THE DEVIL WAS FINALLY CLAIMING HIS OWN AS ROCK MUSIC IN ALL ITS VARIANTS WAS UNASSAILABLY ASCENDENT.

time to read

12 mins

November 2025

Stereophile

Stereophile

PrimaLuna EVO 300 Hybrid

These days, listeners the wide world over enjoy hearing their music recreated for them by equipment whose origins are international; trade isolationists might consider the example of PrimaLuna.

time to read

10 mins

October 2025

Stereophile

Stereophile

Bricasti Design M21

Those of us who review audio equipment, and even audiophiles who don't, often talk about our reference systems.

time to read

11 mins

October 2025

Stereophile

Stereophile

Pablo Records via Granz and Kassem

Way back in my ignorant youth I thought that Pablo Records, the label of jazz producer/promoter legend Norman Granz, was where jazz artists went to fade away, where they were put out to pasture.

time to read

3 mins

October 2025

Stereophile

Stereophile

Hi-fi for (very) small spaces

For the past few months, I've been getting ready to move. Those of you who've looked for an apartment in New York City know that it may be the single most dismal thing about living here.

time to read

12 mins

October 2025

Stereophile

RECOMMENDED RC2025 COMPONENTS

Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable. Occasionally we get complaints from manufacturers who object to being included in, say, Class B. That's their error: Inclusion in Class B is a significant honor.

time to read

34 mins

October 2025

Stereophile

Stereophile

The Shanling ET3 CD transport

Costing just $899, Shanling's top-loading ET3 CD transport appears to have been designed by people who recognize the multitude of big and small fails (or lost opportunities) of previous CD transports. In use, the ET3 felt like a distillation of what I've always wanted in a transport: strong, solid, compact, cool-looking, and feels good to use. Everyone knows I like pro-audio cool with no froufrou. This Shanling deck looked so damn smart and felt so good to touch that it kept my mind repeating, \"Yep! That's how a CD transport should be built!\"

time to read

11 mins

October 2025

Stereophile

Stereophile

JOHN GIOLAS ASSUMES MARKETING LEADERSHIP AT CH PRECISION AND WATTSON AUDIO

Industry veteran John Giolas, global director of marketing for Swiss-based Wattson Audio since November 2024, has expanded his portfolio by also becoming global director of marketing for Wattson's parent company, CH Precision. The appointment, effective July 16, 2025, consolidates marketing strategy across both Swiss brands under Giolas's direction.

time to read

8 mins

October 2025

Stereophile

Stereophile

CH Precision C10

It takes audacity for a company that already builds one of the finest DACs on the planet, which is already expensive, to set out to build one that's so much better that it warrants an extra digit in the model number and a much higher price tag. But then CH Precision has never lacked audacity.

time to read

16 mins

October 2025

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