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On cables

Stereophile

|

June 2025

Underpinning a discussion about the merits of potentially costly specialist audio cables is an obvious question: Why do we need them? Doesn't almost all wire conduct audio signals with negligible distortion and very little loss of power?

- MARTIN COLLOMS

On cables

Specialist hi-fi cables seem expensive for what you get. Especially at the upper end, they seem like a worse value than electronics and loudspeakers. Depreciation is greater, too: Cables are almost a consumable.

But if you wish to finesse the quality endeavor of classic separates-based hi-fi systems, you cannot do without them. Fundamentally, it is not the efficient transfer of audio power that's the issue; that is the easy bit. Rather, it is a matter of optimizing the transmission of the more subtle information that describes recorded acoustic, instrumental detail, the performers, and, not least, dynamics and rhythm: Are your feet tapping unconsciously in time to the performance?

The seemingly high cost of good cable is an inevitable consequence of often-arduous prototyping followed by a costly manufacturing run. Then consider stocking issues and the potential for product returns when the hoped-for improvement is not readily apparent when a cable is installed in a customer's system. What's more, a dealer needs excellent fieldcraft to reliably demonstrate the sometimes-elusive benefits that can come from cable substitutions. And then there's the markup.

How much of your budget should be allocated to a set of cables? Even the least expensive options will perform to some degree. With unlimited resources, you can spend whatever you like, even for small improvements, but 10%–20% of total system cost seems reasonable for a good audio system. Sometimes a given spend will have effectively topped out with just the speakers and electronics; subsequent system improvement can only be achieved by additional, perhaps stressful investments in those other bits, passive “components” such as cables and equipment supports, and—where aesthetically acceptable—room acoustic treatment.

FLERE HISTORIER FRA Stereophile

Stereophile

Stereophile

ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

time to read

10 mins

February 2026

Stereophile

Stereophile

Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

time to read

3 mins

February 2026

Stereophile

Stereophile

Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

time to read

4 mins

February 2026

Stereophile

Stereophile

EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

time to read

16 mins

February 2026

Stereophile

RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

time to read

3 mins

February 2026

Stereophile

Stereophile

Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

time to read

14 mins

February 2026

Stereophile

Stereophile

Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

4 mins

February 2026

Stereophile

Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

time to read

12 mins

February 2026

Stereophile

Stereophile

CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

time to read

16 mins

February 2026

Stereophile

Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

time to read

3 mins

February 2026

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