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Mobile Fidelity, PrimaLuna, and First Watt redux
Stereophile
|December 2024
GRAMOPHONE DREAMS - It's important for readers to remember that I've spent my adult life as an artist and mechanic. Making things. Working as a tradesperson during the day then at an easel or workbench at night.
When I finished high school, all I wanted to do was work in a fancy, well-equipped shop building drag race engines. Engine building was something I had already shown a talent for, but my parents insisted I go to college. Unfortunately, my high school grade point average was so low I was turned down by every college I applied to. Consequently, my parents forced me to attend Wright Junior College in Chicago, a place where teachers rolled joints for their students. And I got straight A's. Those easy A's got me into Western Illinois University, a small state college in a tiny rural town called Macomb near the Mississippi River. My mother was so proud, she told everybody she knew that her son was accepted into "university," but she could never remember which one.
I enrolled at WIU as a physics/chemistry major, but during my first week of my first semester, I was banned from the physics department and put on disciplinary probation for allegedly assaulting a lab assistant with a red laser. And for parking my Camaro in the Dean's spot.
Around that time, a tall student with shoulder-length hair approached me after a performance of a Samuel Beckett play in the school's posh theater. His first words were, "Are you into plays?" I said, "I like reading plays. I read this one in high school. But I've never before seen a play in a real theater like this one." Then he asked, "What do you know about art?" Whereupon I explained, "My mother's an artist, and she took me to a lot of art museums. But I think art is stupid."
"That's perfect," he said, "Because I am the editor of the school newspaper, and I am appointing you to be the art and drama critic. Here's my office number-can you give me a short, written review of this play by tomorrow afternoon?" I told him, "I can't write, so I never write. I pay people to write my class papers. But I'll give this a try because I do have some thoughts about the performance."
Denne historien er fra December 2024-utgaven av Stereophile.
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Stereophile
ICONS AND INNOVATORS AT DEFINITIVE AUDIO
Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.
10 mins
February 2026
Stereophile
Touched-up Beatles and Ringo in color
Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.
3 mins
February 2026
Stereophile
Traveling through time and space
In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”
4 mins
February 2026
Stereophile
EgglestonWorks Andra 5
Big loudspeakers are where diligent hi-fi reviewers really earn their pay.
16 mins
February 2026
Stereophile
RECORD REVIEWS
Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?
3 mins
February 2026
Stereophile
Doshi Audio Evolution Stereo
Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.
14 mins
February 2026
Stereophile
Sticking with it
David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.
4 mins
February 2026
Stereophile
Period-style listening
Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.
12 mins
February 2026
Stereophile
CH Precision L10
TWO-CHASSIS LINE PREAMPLIFIER
16 mins
February 2026
Stereophile
Rock don't give a shit, you know
Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.
3 mins
February 2026
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