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MANUFACTURERS' COMMENTS

Stereophile

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June 2025

ANY CLOD CAN HAVE THE FACTS; HAVING OPINIONS IS AN ART

MANUFACTURERS' COMMENTS

THIS ISSUE: Representatives of Amphion, Stenheim, and Lyngdorf respond to our reviews of their products.

Amphion Krypton3X

We thank mastering engineer Tom Fine for reviewing the Amphion Krypton3X. The discrepancy between the positive listening results and the less-than-optimal measured performance seems particularly large in this case. We believe that the way the measurement was conducted, along with Krypton’s size and somewhat uncommon midrange dispersion characteristics, played a part in this. While a small loudspeaker might possibly be measured at 1m, a loudspeaker as big as the Krypton3X is a different story.

"A working 'rule of thumb' for determining the boundary between near-field and far-field is to make the minimum measurement distance the longest dimension of the loudspeaker multiplied by 3." The Krypton3X is 1440mm, or 55" tall, which creates an optimal (minimum) measuring distance of 4320mm, or 165", which is radically longer than 1m, the measurement distance used.

FLERE HISTORIER FRA Stereophile

Stereophile

Stereophile

ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

time to read

10 mins

February 2026

Stereophile

Stereophile

Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

time to read

3 mins

February 2026

Stereophile

Stereophile

Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

time to read

4 mins

February 2026

Stereophile

Stereophile

EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

time to read

16 mins

February 2026

Stereophile

RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

time to read

3 mins

February 2026

Stereophile

Stereophile

Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

time to read

14 mins

February 2026

Stereophile

Stereophile

Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

4 mins

February 2026

Stereophile

Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

time to read

12 mins

February 2026

Stereophile

Stereophile

CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

time to read

16 mins

February 2026

Stereophile

Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

time to read

3 mins

February 2026

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