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In defense of sticker shock

Stereophile

|

November 2025

There are faster ways to start an online fight, but not many. Say “$10,000 DAC” and watch audio-forum commenters descend like pigeons on a dropped hot dog, flapping and furious. They’ll tell you the designers are crooks, the buyers are dupes, and anyone not DIY-ing with AliExpress kits is a poseur.

- BY ROGIER VAN BAKEL

In defense of sticker shock

Building high-end hi-fi equipment costs serious coin, but you wouldn’t know it from the Anger, Smugness, and Rigidity found on certain objectivist audio forums, where anything north of, say, $5000 is deemed a ripoff or a status buy. To posters in those snark-infested waters, expensive equals unfair.

Margins and migraines

Here’s the reality. Let’s say you want to build loudspeakers. That means renting, buying, or erecting a building, investing in precision tooling, buying high-quality electronic parts and cabinet materials, and making various prototypes. You’ll need CNC machines and measuring setups. You’ll also need people: engineers, designers, craftspeople, and eventually, operations managers and logistics staff. You’ll be on the hook for salaries and benefits, electricity, insurance, travel expenses, accounting fees, corporate taxes, custom packaging, and whatever the shipping company decides to charge this month. You’ll endure supply-chain droughts the way sailors wait for wind.

Once you’re in production, you’ll file forms, fight tariffs, and pray the resistors you ordered for the next product batch don’t arrive four months late in unmarked baggies, poorly sorted and with a sticky note that says “Sorry.” You’ll have to whisper sweet nothings to customs agents, some of whom might appreciate a little baksheesh. After shipping your products to distributors and dealers, you’ll chase invoices through multiple time zones, probably after sending several emails beginning with “Gentle reminder.”

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EAT F-Dur

TURNTABLE WITH EAT F-NOTE TONEARM

time to read

10 mins

November 2025

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Hi-fi near and far

As the Spin Doctor, I tend to lead an analog life. I'm not just talking about my preferred ways of listening to music, but also my approach to other everyday technology.

time to read

11 mins

November 2025

Stereophile

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HiFi Rose RA280

It's been said before, but the essential truth remains as shiny as a new 2A3 tube: A well-made, good-sounding integrated amplifier is a sonic marvel, a triumph of audio engineering. Sound quality is just the beginning.

time to read

14 mins

November 2025

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15 FOR 50 1975 IN 15 RECORDS

WAS IT SOMETHING IN THE AIR, SOMETHING IN THE WATER? COSMICALLY INSPIRED BY THE STARS AND THE MOON? OR MAYBE THE DEVIL WAS FINALLY CLAIMING HIS OWN AS ROCK MUSIC IN ALL ITS VARIANTS WAS UNASSAILABLY ASCENDENT.

time to read

12 mins

November 2025

Stereophile

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Doing it for themselves—and for us

Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.

time to read

3 mins

November 2025

Stereophile

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McIntosh DS200 STREAMING D/A PROCESSOR

McIntosh, which is based in my home state of New York, has long been in my audio life.

time to read

14 mins

November 2025

Stereophile

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The BEAT Goes On

Adrian Belew had an itch that needed some serious scratching.

time to read

7 mins

November 2025

Stereophile

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Half a century in hi-fi

Not many hi-fi dealerships can say they've survived half a century of history. Natural Sound, which is based in Framingham, Massachusetts, about 20 miles west of Boston, is one that can.

time to read

3 mins

November 2025

Stereophile

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The skating force phenomenon

At the beginning of last month's As We See It, I wrote that I've lately been focused on \"analog things.\" I proceeded to write about refurbishing and modding my old McIntosh tuner. That's \"analog thing\" #1.

time to read

4 mins

November 2025

Stereophile

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Monk's tenor

In Robin D.G. Kelley's definitive, 450-page biography of Thelonious Monk, Monk and tenor saxophonist Charlie Rouse first meet on p.100, in 1944.

time to read

4 mins

November 2025

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