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Dan D'Agostino Relentless

Stereophile

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September 2024

In Serinusland, smooth sailing has never been guaranteed. Some months back, for reasons not yet determined, my Stromtank S 2500 Quantum MK II power regenerator¹ began to hum mechanically-sometimes steadily, sometimes with a pulse-whenever I turned on battery mode.

Dan D'Agostino Relentless

Simultaneously, the Dan D'Agostino Master Systems Momentum HD preamp's power supply began to hum.² I could listen through the hum-it wasn't that loud-but silence between tracks was a thing of the past, and rarely was the noise in the right key.

After Stromtank's remote diagnostic and repair procedure failed, Stromtank Chief Engineer/founder Wolfgang Meletzky left Berlin for a previously scheduled visit to D'Agostino headquarters in Arizona. Tests there revealed that Stromtank and this D'Agostino preamp mated perfectly, without generating hum, buzz, pulse, or anything else. With fingers now pointing at the preamp as perhaps defective, I returned it to D'Agostino HQ for a thorough going over. It and a different Stromtank S 2500 Quantum MK II mated perfectly, in blissful silence.

At that point, the two companies arrived at independent decisions. Stromtank decided to send me an S-4000 ProPower MK II so that I could try using it to power everything in my system, including the mono amplifiers, and report my findings in Stereophile.

D'Agostino explained that because a replacement for the Momentum HD preamp was in the works-in the form of the Momentum C2, which was introduced at Munich High End 2024-it made no sense to send the Momentum HD back to me.

Instead, D'Agostino President Bill McKiegan asked if I might be interested in writing the first US review of the top-line, three-piece, fully balanced D'Agostino Relentless preamplifier ($149,500, plus $19,500 for the optional digital streaming module), which since its 2021 introduction had only received a single review, in Europe.

Me, review a $150,000 preamp? This was not a kid in a candy store-scale event. This was a kid let loose in a big-assed candy factory-scale event.

FLERE HISTORIER FRA Stereophile

Stereophile

Stereophile

Life in the emerald beyond

If you find yourself in Monaco on a Sunday night, make your way to La Note Bleue, a cozy restaurant and music bar on the beach by the Avenue Princesse Grace. There, you're likely to find a legendary world/fusion guitarist sitting in with a group of young jazz musicians eager to cut heads with the acknowledged maestro of inner awareness and otherworldly spirits. Forever known to some as “Mahavishnu,” you can call him by his birth name, John McLaughlin.

time to read

3 mins

December 2025

Stereophile

Stereophile

36 sides of late Bowie

I Can't Give Everything Away is the sixth and last of the Bowie box sets that survey specific periods in the artist's career. The first was Five Years 1969–1973, released in September 2015. That was followed by Who Can I Be Now? (1974–1976), A New Career in a New Town (1977–1982), Loving the Alien (1983–1988), Brilliant Adventure (1992–2001), and finally the new set. Together, the six sets are an impressive testament to a musical giant—a heavyweight tribute figuratively and literally. You could use this last installment to pump up your biceps.

time to read

3 mins

December 2025

Stereophile

Is this the ultimate old-school analog move?

Dedicated readers know that lately in this space I’ve been on something of an analog kick. Two months ago, in the October issue,¹ I wrote about refurbishing and modding my old McIntosh FM tuner. Last month’s column (November) was on the much-discussed but little-understood topic of the skating force on a phono cartridge stylus.²

time to read

4 mins

December 2025

Stereophile

STEREOPHILE'S 34TH ANNUAL PRODUCT OF THE YEAR 2025 AWARDS

Stereophile's Product of the Year Awards were first published in 1992.1 I decided at that time that, in contrast to other publications' awards schemes, we would keep the number of categories to a minimum.

time to read

21 mins

December 2025

Stereophile

Stereophile

DeVore Gibbon Super Nine

LOUDSPEAKER

time to read

11 mins

December 2025

Stereophile

Stereophile

Some marketing claims are true

None of the amps I build are better than the others,” Justin Weber of Ampsandsound told me not long after we met. “They are just different.” I may have smirked inwardly. According to his company’s website, Weber makes no fewer than 23 amplifier models, many capable of driving both headphones and speakers, ranging from the $2700 Kenzie OG to the $38,000 Arch Monos. Are they really all equally good?, I wondered. Surely this was just a clever Buddhist ploy to distract us from some of his amps’ high prices. Doesn't the extra $35k spent on the Arch Monos buy you something more desirable than the performance offered by the little Kenzie? Writing for an audio magazine means I hear a lot of marketing claims, some more risible than others, and I have learned to take them with an entire seabed worth of salt.

time to read

11 mins

December 2025

Stereophile

Stereophile

Lotti Golden

Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album. Released on Atlantic Records in 1969, Lotti Golden's Motor-Cycle was wildly experimental and ahead of its time. Seemingly poised for success, the album and her career suddenly vanished.

time to read

4 mins

December 2025

Stereophile

Stereophile

Baby you can drive my car(tridge)

While I was coming to grips with this month's review subject, the idler drive Garrard 301 Advanced, I began to think about the various methods that have been used to spin turntable platters over the years. Since the transition a century ago from windup clockwork to electric motors, there have basically been three ways to spin a turntable platter: idler drive, belt drive, and direct drive. True, there have also been a few designs that go their own unique ways, such as the rare, water-driven Oasis made by David Gillespie of Saturn Audio in the late 1970s and the gear-driven H.H. Scott 710 I once owned and foolishly sold. But almost everything made since the 1950s uses one of the three main drive systems. Even the Omega Drive system, which was used by Wilson Benesch on their extraordinary GMT One turntable, is at its core a direct drive design.

time to read

10 mins

December 2025

Stereophile

Stereophile

Audio Research Reference 330M

MONOBLOCK POWER AMPLIFIER

time to read

19 mins

December 2025

Stereophile

Stereophile

MANUFACTURERS' COMMENTS

MoFi Distribution would like to thank both Ken Micallef and John Atkinson for their time and effort reviewing the HiFi Rose RA280 integrated amplifier (November 2025, p.93).

time to read

2 mins

December 2025

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