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Aurorasound HFSA-01
Stereophile
|March 2025
INTEGRATED AMPLIFIER
Audiophiles are often misunderstood as mere hobbyists; in fact they hold a profound reverence for sound. Japanese jazz kissas, where vintage vinyl, turntables, tube amplifiers, and horn speakers have drawn audiences since the 1950s, exemplify this passion. Western audiophiles share a similar fervor, though our pursuit of sonic perfection often manifests in a more discreet, almost monastic, lifestyle.'
Shinobu Karaki, a 65-year-old electronics designer, is the founder and chief designer of Japan's Aurorasound. A music lover first, an audiophile second, and an aspiring jazz and classical guitarist, Karaki crafts phono stages, step-up transformers, preamplifiers, power amplifiers, and integrated amplifiers for his Yokohamabased audio company.
Prior to founding Aurorasound in 2010, Karaki held the position of Digital Audio Group Business Director at Texas Instruments Japan, where he amassed nearly three decades of experience in research and development. Earlier, in his formative years, Karaki attended Osaka University and Yokohama Polytechnic, earning degrees in electronic engineering and business. His expertise enabled him to design and manufacture a range of high-performance amplifiers and DACs, resulting in the small bounty of products currently available from Aurorasound.Denne historien er fra March 2025-utgaven av Stereophile.
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FLERE HISTORIER FRA Stereophile
Stereophile
ICONS AND INNOVATORS AT DEFINITIVE AUDIO
Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.
10 mins
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Stereophile
Touched-up Beatles and Ringo in color
Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.
3 mins
February 2026
Stereophile
Traveling through time and space
In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”
4 mins
February 2026
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EgglestonWorks Andra 5
Big loudspeakers are where diligent hi-fi reviewers really earn their pay.
16 mins
February 2026
Stereophile
RECORD REVIEWS
Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?
3 mins
February 2026
Stereophile
Doshi Audio Evolution Stereo
Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.
14 mins
February 2026
Stereophile
Sticking with it
David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.
4 mins
February 2026
Stereophile
Period-style listening
Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.
12 mins
February 2026
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CH Precision L10
TWO-CHASSIS LINE PREAMPLIFIER
16 mins
February 2026
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Rock don't give a shit, you know
Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.
3 mins
February 2026
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