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Renaissance Woman: Biopic Brings to Life 19th Century Theatre Legend Binodini

The Sunday Guardian

|

March 09, 2025

Directed by filmmaker Ram Kamal Mukherjee, the Bengali biopic, which traces the extraordinary journey of stage actress Binodini Dasi in late 19th century Bengal, is wowing audiences in India and abroad.

- MURTAZA ALI KHAN

Renaissance Woman: Biopic Brings to Life 19th Century Theatre Legend Binodini

The South Asian International Film Festival of Florida (SAIFFF) recently witnessed an unforgettable moment when Binodiini Ekti Natir Upakhyan emerged as the standout winner, sweeping three of the festival's most prestigious honors: Best Director, Best Actress, and Audience Choice Best Film.

Helmed by filmmaker Ram Kamal Mukherjee, the Bengali biopic, which traces the extraordinary journey of theatre legend Binodini Dasi in late 19th century Bengal, left audiences spellbound at the NCG Theatre in Tampa. Within minutes of ticket sales opening, the screening was sold out—a testament to the film's captivating narrative and evocative visuals.

For Mukherjee, this wasn't just another film—it was a vision that had been gestating for years. "Binodini Dasi's life, I think, is something that needs to be known. She was a renaissance woman who transformed the perception of female actors in Bengali theatre, and Indian theatre at large," he explains. "For decades, the only widely recognized portrayal of her was through Meena Dasgupta's play, which later inspired a Bengali film over 40 years ago. But I always felt her story had to be told differently."

Mukherjee's approach to the film was clear from the outset—he wanted to elevate Binodini's life story to an epic, almost operatic scale. "Her life was nothing short of an opera, filled with grandeur, struggle, and passion," he says. "I wanted to treat it accordingly, making it look like a magnum opus."

However, not everyone shared his vision initially. "A lot of people had their reservations when I was writing the screenplay and even while filming. They felt it looked too opulent," he admits. "But that's exactly what I wanted—to present Bengal in a regal, resplendent manner. The color palette, the scale, the art direction—it all had to be different."

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