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Theatre review Sombre, even-toned staging digs subtly into characters
The Guardian
|October 26, 2024
With its fibs, delusions and mislaid props, Shakespeare's Othello is structured almost like farce - one that goes horribly wrong.
In performance, cruel comedy and melodrama can lurch to the fore - but Tim Carroll's sculptural new production stays serious. It is intelligent, if too even-toned to thrill, and it unfolds with rare clarity.
John Douglas Thompson's Othello appears the epitome of calm - an unruffled, spellbinding speaker. Beaming when Desdemona arrives, it's hard to believe their love could falter.
Thompson and Juliet Rylance played these same roles in New York in 2009; the now mature casting (also including Edward Hogg's ill-at-ease Cassio) would suggest cool heads who could easily resolve misunderstandings. These are no callow naifs - but that won't save them.
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