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We're making a music video-but I can't play, or even act
The Guardian Weekly
|December 06, 2024
I am in a lifeboat station on the south coast, standing beneath the stern of a rescue vessel, wearing a borrowed fisherman's jumper and holding a banjo. There are lights on me, and I am very much at sea.
My band has recorded a Christmas song to celebrate the 200th anniversary of the Royal National Lifeboat Institution (RNLI), and we are here to make the music video. As usual, the shoot consists of a group of young people ordering a group of old people to do mildly humiliating things while filming them, like a care home scandal drama set to music.
Beyond the lights there's a small crowd of RNLI volunteers, their families and friends. They are dressed in festive knitwear with Christmas lights strung above their heads, even though it's November. The effect is a little dislocating, but that is not why I am at sea.
It is traditional for Christmas songs to be recorded in high summer, by musicians wearing shorts. This song had an even earlier start: I've got emails discussing the arrangement stretching back to February. At some point a rival version emerged, which we all thought was a vast improvement until we heard the two side by side and decided the original was better.
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