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Reflections on “Rhythm of the Guitar”: Clarence as a classic “start-up”
Daily FT
|July 14, 2025
ONE of my recent movie sensations surely was “Rhythm of the Guitar.” For me it was like a Sri Lankan “Mamma Mia,” the well-loved romantic movie. It has rekindled the reminiscences of the Sri Lankan “King of Pop,” Clarence Wijewardena. Today’s column is not a conventional movie review but a concentration on Clarence as a great “startup” from a managerial perspective.
Overview
“Rhythm of the Guitar” is a Sinhala movie that appeals to all masses. Ironically, Theja Iddamalgoda, its Director passed away before the film was released. He became popular because of a previous Sinhala movie hit, Ashawari, back in 2022. The film is all about the “pioneer of the Sri Lankan Pop music” Clarence Wijewardena. It is heartening to see the debut actor Damith Wijayathunga doing justice to the difficult role to play in portraying Clarence. The role of his Mango Friend Annesley Malawana is played by Saranga Disasekara. Nihari Perera, Dinakshie Priyasad, Srimal Wedsinghe, Fernie Roshani and Chamila Peiris do well in their supportive roles. Produced by Thusitha Wijayasena, “Rhythm of the Guitar” can be viewed more than just a tribute to a legend, but a treat of a musical extravaganza.
Clarence Wijewardena became famous for introducing the electric guitar to Sinhala music. He was born on 3 August 1943, in Haputale. In abandoning a budding career as a planter, he pursued his passion for engaging in full-time music. He studied at Weeraparakrama College, Yatawatta and Highland College, Hatton. He married Sheela Ramadasa, and they had one daughter, Amila Priyadarshani. His life was a bumpy ride with romantic challenges, where he reflected through his melodious music. When his family moved to Rathnapura, the city of gems, a precious gem in the musical space was born as “Moonstones.” It was Sri Sangabo Corea, who was a mentor for Clarence with immense support for his musical career, gave that name resonating well with hometown’s leading export.
Merry movements of musical movies
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