Prøve GULL - Gratis
Learning to fall in roller derby taught me how to be me
Time
|January 16, 2026
IN 2018, HOPING THAT THE MOODiness of the trees and mountains might help me discover something about myself, I left Columbus, Ohio, for Portland, Ore. Sometimes I biked to work, and on the first warm day of the year noticed a warehouse by the bike path had its doors open. There was an oval-shaped track inside, where a handful of people on roller skates were running into each other.
I slowed my bike and stopped, putting one foot down to watch them. I figured it was roller derby (I had of course watched Whip It shortly after realizing I was gay), but I'd never seen the real thing. The people in the warehouse were of all sizes, all ability levels, and they were hitting each other hard. I signed up.
Roller derby is played in increments called jams. Each team fields five skaters per jam: four blockers and one jammer. The jammer is the only skater on each team who can score points. When the jam begins, the jammers fight through the pack of blockers, then race each other around the track, earning a point for every opposing blocker they pass with their hips. The first thing they teach you is how to fall safely, because it's not a question of if you'll fall. I got used to palm-size bruises on my arms and legs, quads so sore I couldn't walk down the stairs.
Denne historien er fra January 16, 2026-utgaven av Time.
Abonner på Magzter GOLD for å få tilgang til tusenvis av kuraterte premiumhistorier og over 9000 magasiner og aviser.
Allerede abonnent? Logg på
FLERE HISTORIER FRA Time
Time
CRISTIANO AMON
Qualcomm's CEO on gladiators, where AI will live, and taking on Nvidia
3 mins
January 16, 2026
Time
Menopausal women in revolt
In the early 1990s, young women raised on second-wave feminism but marginalized within the punk scene revolted. Dubbed riot grrrls, bands like Bikini Kill and Bratmobile aimed wrathful lyrics and gallows humor at a culture of misogyny as it manifested in their own lives, from condescending male musicians to abusive fathers. Now, those artists are in their 50s. And while sexism persists, it touches older women in different ways.
1 mins
January 16, 2026
Time
5 PREDICTIONS FOR AI IN 2026
The technology is poised for integration into everyday experience
2 mins
January 16, 2026
Time
AFRICA'S MINERAL MAKEOVER
Soaring demand for resources is reshaping Africa's ambitions— and place in the global order
13 mins
January 16, 2026
Time
WHY AREN'T WE USING AI TO ADVANCE JUSTICE?
Giving overlooked victims access to lawyers and courts
3 mins
January 16, 2026
Time
DECODING THE OVARY
SCIENTISTS ARE TARGETING THE ORGAN TO TRY TO SLOW DOWN AGING. WILL IT WORK?
12 mins
January 16, 2026
Time
KRISTALINA GEORGIEVA
The IMF managing director on the future of trade and AI
3 mins
January 16, 2026
Time
THE NEW OLD AGE
THE \"GOLDEN YEARS\" ARE GETTING AN UPGRADE
10 mins
January 16, 2026
Time
A Korean master dampens the power of a corporate thriller
THERE'S NO BETTER TIME FOR AN ADAPTATION of Donald E. Westlake's unsparing 1997 novel The Ax, which treats downsizing as a form of dehumanization. The bad news is that No Other Choice, the Ax adaptation Korean master Park Chan-wook has long wanted to make, isn't the picture Westlake's cold shiv of a novel deserves. As fine a filmmaker as Park is—his 2003 Oldboy is a chilly, operatic masterpiece—No Other Choice is too dully observed and too slapsticky to hit its mark. It's a missed opportunity dressed up with proficient filmmaking.
2 mins
January 16, 2026
Time
THE DREAM DEMANDS MORE
Have AI answer Dr. King's call for economic justice
2 mins
January 16, 2026
Listen
Translate
Change font size
