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Living Doll

Record Collector

|

March 2023

Sam Brown, the singer-songwriter behind 1989 Top 5 hit (and attendant LP of the same title) Stop!, is back with a new album despite having lost the ability to sing in 2007. She tells Charles Donovan how she managed it.

-  Charles Donovan

Living Doll

"It's OK to be broken" are the opening words of Number 8, the first album by Sam Brown for 15 years. In some ways, they capture the essence of the project, one only made possible because the artist was able to reach an acceptance of her particular 'brokenness' - the almost-total loss of her singing voice (and primary income stream), in 2007, just as her last album, Of The Moment, came out. Though she'd been an independent artist for over 15 years by that time, her breakout period with A&M ending after two albums in the early 90s, Brown also made an extremely good living on tours with Pink Floyd and Jools Holland. Overnight, it was all snatched away. In the years since, she's been working as a ukulele teacher/bandleader.

Perhaps because of the way she was presented in interviews, particularly during the A&M years when her ravishing voice, with its textures of shale, smoke and sand, was such a welcome addition to the British popscape, I'm half-expecting an ebullient, laugh-a-minute bon viveur - a 'right character' - to open the door when I knock at the pretty Dorset cottage where Brown lives with her partner. Instead, the person who answers is thoughtful, unassuming, perhaps slightly nervous, but with a speaking voice (a little breathier than it used to be) freighted with warmth and good will. She looks great, radiating youthful energy and an understated stylishness. I find it hard to imagine anyone not liking her.

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UNDER THE RADAR

Artists, bands, and labels meriting more attention

time to read

4 mins

Christmas 2025 - Issue 578

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LOOKIN' AFTER No 1s THE XMAS FACTOR

Does your granny always tell ya that the old songs are the best? The truth might be more curious and complex, as Chris Roberts finds, tearing off the wrapping paper to discover the full history of the Christmas No 1

time to read

13 mins

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Behold The Man Friday, The Leader Of The Virgin Prunes

Since the late 70s, Gavin Friday has trod a singular path, whether as part of influential post-punks The Virgin Prunes, soundtracking Hollywood blockbusters.

time to read

10 mins

Christmas 2025 - Issue 578

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THE ENGINE ROOM

The unsung heroes who helped forge modern music

time to read

4 mins

Christmas 2025 - Issue 578

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ORIGINAL SOUNDTRACKERS

In 1975, 10cc and Queen reigned supreme with I'm Not In Love and that also happened to be the Christmas No 1. But how did both Bohemian Rhapsody. The former was the chart-topping sound of the game-changing singles happen that year, and which, wonders Paul summer and a production landmark, the latter a multi-part song-suite McNulty, remains the most revolutionary example of 70s songcraft?

time to read

24 mins

Christmas 2025 - Issue 578

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'WE'D JUST WALLOW IN HOW FUCKING BRILLIANT WE WERE'

Graham Gouldman on I'm Not In Love, The Original Soundtrack and 10cc's next-level pop.

time to read

8 mins

Christmas 2025 - Issue 578

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The Collector

Warren Kurtz began collecting records in the 60s and has written about music since the 70s.

time to read

6 mins

Christmas 2025 - Issue 578

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Heaven From Hell

An exhilarating masterpiece wrung from a period of turmoil and unease, all done up for its 50th birthday.

time to read

5 mins

Christmas 2025 - Issue 578

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33½ minutes with...Brinsley Schwarz

It's 60 years since Brinsley Schwarz made his recording bow, a handful of singles with the semi-psychedelic pop band Kippington Lodge, but he became a more visible presence later in the decade when he lent his name to the pub rock figureheads who also included Nick Lowe in their number.

time to read

4 mins

Christmas 2025 - Issue 578

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TEEN SPIRIT

Of all the first-wave punk bands, Eater were arguably the truest to form.

time to read

9 mins

Christmas 2025 - Issue 578

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