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PETE LAMBROU (VLMV)
Prog
|Issue 164
The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.
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Where's home?
I'm near Brighton again. I was in London when VLMV started.
What's your earliest memory of prog?
Late nights in my student house in Chichester, sharing music with my housemates/bandmates, discovering this entirely new world of 70s prog — Pink Floyd, Tull, Genesis, Crimson. With some Television, Talking Heads and Joy Division thrown in.
What was the first prog album you bought?
I got into vinyl when I was around 19. Old vinyl records were everywhere and dirt cheap. I got every Pink Floyd album, and every 1970s Genesis album for 50p each. That was a good day.
And the most recent?
I Leave You This by Overhead, The Albatross, but that only counts as I've just managed to get a copy on vinyl!
Your first prog gig?
Probably Cardiacs at the Wedgewood Rooms in Portsmouth in the mid-oos.
And the latest?
Overhead, The Albatross in Brighton in July. An amazing, genre-transcending band.
What's the best prog show you ever saw?
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FLERE HISTORIER FRA Prog
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BIG BIG TRAIN
British prog classicists honour absent friends, look to the past and forge a new future with their very first narrative concept album.
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Steeleye Span
Fifty-six years on and still going strong; Steeleye Span released their first album this decade in 2025. Conflict was a record of our times and contained a mix of original material and reworked traditional songs. Longtime vocalist Maddy Prior explains the story behind it and how she came to unleash her inner Tom Waits.
7 mins
Issue 166
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BLACK COUNTRY, NEW ROAD
Black Country, New Road have always been full of surprises. When frontman Isaac Wood bowed out days before the release of their second album, Ants From Up There, most groups would’ve found a new singer or simply folded.
2 mins
Issue 166
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Solent Area Prog
Celebrating its 10th anniversary in 2026, the live music promotions company led by Geoff Tucker has helped put Southampton on the prog map, and bring an even more eclectic mix of music to its largest independent grassroots music venue, The 1865. We caught up with the accidental promoter to discover why the British port city is rocking the prog boat.
4 mins
Issue 166
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Steve Rothery
Marillion guitarist Steve Rothery embraced his more electronic side this year with Bioscope, his soundscape project with Tangerine Dream's Thorsten Quaeschning. But he's not ditching the day job: work is well underway on Marillion's next studio album, and there's his long-awaited collaboration with a certain Mr Hackett still to come.
7 mins
Issue 166
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JORDAN RUDESS (DREAM THEATER)
The great and good of progressive music give us a glimpse into their prog worlds.
3 mins
Issue 166
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BE PROG! MY FRIEND ANNOUNCES LINE-UP
Soen and The Ocean will headline the 2026 edition of the Barcelona-based festival.
1 mins
Issue 166
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Rush
“Geddy said from the stage [in 2015], how they’d see us down the road some day. And now, before we even know it, that day will be here again.”
5 mins
Issue 166
Prog
MARTIN BARRE
Every month we get inside the mind of one of the biggest names in music. This issue it's Martin Barre. From the shy kid who learned music to avoid having to ask girls to dance, he conquered the world with Jethro Tull, a band that sold out the Los Angeles Forum five nights in a row in 1975, shifting some 100,000 tickets in the process. The guitarist reflects on not letting fame go to his head, his guilt at staying with Ian Anderson in Tull at the start of the 1980s, and his enduring hunger for new music with the Martin Barre Band.
12 mins
Issue 166
Prog
MOON SAFARI
It was only two weeks ago that the promoters had to shift a prog gig by Germans RPWL upstairs at this venue, such was the demand for tickets, and tonight, Swedes Moon Safari are probably knocking on the door of something similar. It's busy here; not uncomfortably packed, but it's getting there. And while tales of gigs being cancelled due to poor ticket sales are rife these days, both these London Prog Gigs shows provide a crumb of comfort.
3 mins
Issue 166
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