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Cosmic Collaboration

Prog

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Issue 160

“I've gotten in trouble occasionally because my background has been so varied. It's like, 'What are you? Are you a jazz guy? Are you a rock guy?' But I get it. If I go to buy a box of cornflakes, I want cornflakes. I don't expect something else in the box.”

- Chester Thompson

Cosmic Collaboration

Rock music is now in its eighth decade and no longer exclusively the province of the young. As we've seen with the longevity of many progressive artists in recent years - including the surviving members of Yes, King Crimson and Caravan among others - age is no longer an impediment to creativity and virtuosity. Such is the case with Cosmic Cathedral, a new collaboration between Neal Morse and erstwhile Genesis drummer Chester Thompson, with veteran guitarist Phil Keaggy and bassist Byron House. The average age of the four members is 70, yet despite the benefits that much experience can bring, it’s not always easy to maintain your chops, as Thompson explains.

“For me, practising is an ongoing thing. I'm at an age now where part of my practice is to retain what I’ve always done. But I’m always looking to improve and go to some new places.”

Since he left Spock’s Beard in 2002, Morse has enjoyed a prolific solo career that’s included epic productions with concepts centred around his Christian faith. But there have also been more secular-orientated collaborations, including Transatlantic, Flying Colors and Neal Morse’s The Resonance. However, while Cosmic Cathedral has many aspects to it sonically that will be familiar to Morse fans, the way it was created was somewhat different.

“I had gone to see the Steve Hackett Band here in Nashville,” Morse explains. “I went backstage, and Chester and Steve were together in the dressing room. I felt a little bit like a fly on the wall, just there listening to them talk about the old days. As I was driving away from that show, I felt like I should collaborate with Chester, somehow.”

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AURI

As the moonlight pierces through the stained glass windows of the Union Chapel with the stage illuminated by lanterns, Johanna Kurkela takes to the stage in a dazzling ballgown, opening the show with Those We Don’t Speak Of before the rest of Auri join her on this autumnal night.

time to read

2 mins

Issue 164

Prog

Prog

JHB GUITARIST DELVES DEEP

Nick Fletcher's fifth album, Mask of Sanity, is inspired by the psychologist Carl Jung.

time to read

1 min

Issue 164

Prog

Prog

PELAGIC FEST

Once a record label showcase held now and again in Berlin, Pelagic Fest has flourished into a bona fide annual getaway for progressive music fans. For the second year in a row, it's taking up two days at Muziekgieterij, a club in the sleepy Dutch city of Maastricht renowned for its sound quality and state-of-the-art light shows. The bill is dominated, as ever, by artists signed to the Pelagic roster, but with This Will Destroy You and Ihsahn headlining, this is by far the biggest and most diverse lineup to date.

time to read

3 mins

Issue 164

Prog

Prog

PETE LAMBROU (VLMV)

The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.

time to read

2 mins

Issue 164

Prog

JO QUAIL

There's no pomposity to the opening with the release of Jo Quail's seventh studio album, Notan. Even though her music is elegant and refined, the cellist has no airs or graces - she's seen soundchecking herself and chatting with the audience pre-show, a white hoodie slung over her long black dress.

time to read

2 mins

Issue 164

Prog

SYMPHONY X

During the encore of Symphony X's LA concert, vocalist Russell Allen - a California native - tells the sold-out crowd why he left his home state 35 years ago. After finishing high school, he says, he began working as a knight on horseback at a local medieval-themed dinner theatre. When the company opened a sister location across the country, Allen was one of the employees sent east to help get the new business up and running. It was supposed to be a six-month deployment, he explains, but while he was there he “met a Jersey girl” and never returned.

time to read

1 mins

Issue 164

Prog

PENDRAGON

According to Pendragon's Nick is Barrett, \"The reason we've survived is because we've never been that popular.\"

time to read

2 mins

Issue 164

Prog

Prog

A SUNDAY IN SEPTEMBER

We're off to Balham in south London for the sixth annual A Sunday In September, a 'boutique' all-dayer in the delightful music room of The Bedford.

time to read

2 mins

Issue 164

Prog

Prog

SOEN ANNOUNCE HEAVY NEW ALBUM RELIANCE

Upcoming release is previewed by emotive single Primal.

time to read

1 min

Issue 164

Prog

Prog

SPOCK'S BEARD REUNITE FOR NEW LP

Prog veterans channel their post-tour energy into writing and recording.

time to read

2 mins

Issue 164

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